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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 21, 2015

Paul Edis - Not Like Me / Just Like Me Album Launch @ The Lit & Phil. Nov. 19

Paul Edis (piano)
(Review by Jerry)
I have always found it difficult reviewing gigs involving my son and have usually sought to deflect accusations of bias by ensuring that most of my comments focus on other performers in the band or at the microphone. A solo concert affords no hiding place! However, consanguinity should be no barrier to plain speaking so here’s a fact: that I am biased does not mean that Paul is not brilliant. He is: the gig was and the double CD will be! (I have still not heard it all on disc and look forward to seeing it reviewed by impartial listeners on this blog and elsewhere). Paul, being (in the words of another audience member) “so self-effacing”, will probably be mortified by the foregoing parental effusion but no matter – all three of our children are familiar with the old saying: “You can choose your friends but….”
The concert was well attended (30 – 40 people) and quickly took on an intimate, almost party-like atmosphere as Paul’s introductions , delivered without microphone, developed into chats with the audience. Two sets covered 20 tunes in all – 6 from the first CD, Not Like Me (till now available only as downloads), 11 from the new CD, Just Like Me and 3 that Paul announced as “off-piste”. These last required no apology consisting as they did of Jobim’s One Note Samba (played as an encore), a beautiful version of Gershwin’s Someone to Watch Over Me and Paul’s frantic, funny anthem to ADHD, Distraction(dedicated to the i-phone generation)!
Beautiful, funny, dexterous and sensitive are the adjectives cropping up most in my notes and, in a way, summing up both the compositions selected and the manner in which they were performed. Bring Me Sunshine (here dedicated to two family members who loved this version), Distraction and My Favourite Things all demonstrated amazing dexterity and raised smiles of recognition all round. Coltrane’s Giant Steps, played “slowly” (really???) and in the manner of “Art Tatum on a very, very bad day” drew whoops of appreciation having incorporated stride and several other styles I am unable to name before finishing with an outrageous glissando. “I never said it would be tasteful”, said Paul.
A new tune to me was Nostaloptimist – a coinage for someone who is simultaneously nostalgic and optimistic. As a Sunderland fan, I AM such a person (1937, 1973 and Premiership Champions 2016/7!) and enjoyed this suitably light, jolly tune with hints of Secret Love and all sorts of echoes of TV themes from the 60’s onwards.
For “beautiful” and “sensitive” there was the Gershwin and the Monk (Round Midnight) and two originals, For Kathleen and Sunset. This last was introduced (self-effacingly?) as a “kind of ballad”. That both were “tasteful” goes without saying. Greensleeves and Country Gardens were both tasteful and dexterous and along with Cerebral (with references to Bach) and Vince (with references to Wagner) illustrate an eagerness to embrace all musical genres – if it’s good music, it’ll make good jazz!
As a last word on the dexterity of performance, it was noticeable that about two thirds of the audience chose to sit at the far end of the room where there are good sight-lines to the keyboard and the performer’s hands. Says it all, really.
There are 24 tunes on the double CD which is attractively packaged with design input, as always, from Paul’s “wonderful wife”, Kate. Both discs were recorded at the Lit & Phil with Adam Sinclair overseeing production – so the quality is assured. A snip at £10 but don’t take my word for it – check it out yourselves!
Jerry (Edis)

1 comment :

  1. Anne DeVere Harper (on F/b)Sunday, November 22, 2015 12:53:00 am

    amazing talent wish we could come over more often!!!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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