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Bebop Spoken There

Hugh Masekela: “I advise every kid to check out their past because without a past you are in limbo.” (Songlines December 2017)

Leo Richardson: “I think your image is really important. You look at those old Blue Note recordings and you look at the liner note, the booklet and they’re in the studio and they’re wearing shirt and ties. They used to wear suits all the time.” – (Jazzwise December 2017/January 2018)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Saturday December 16

Afternoon

?????

Evening

Strictly Smokin’ Big Band -Gosforth Civic Theatre, Regent Farm Road, Gosforth NE3 3HD. Tel: 0191 258 4111. 7:30pm. Second night of two.

An Evening of Swing & Sparkle - National Glass Centre, Liberty Way, Sunderland SR6 0GL. 7:00pm. Tel: 0191 515 5555 (booking essential). £35.00. Rat Pack act, four course meal.

No Time for Jive - The Tannery, Gilesgate, Hexham NE46 3QD. Tel: 01434 605537. 9:00pm. Free.

Lyndon Anderson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Snow Ball - St Mary’s Heritage Centre, Oakwellgate, Gateshead NE8 2AU. Tel: 0191 433 4699. 7:00pm. £19.00. Strictly Speakeasy (swing band) & Lindy jazz dance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, November 21, 2015

Paul Edis - Not Like Me / Just Like Me Album Launch @ The Lit & Phil. Nov. 19

Paul Edis (piano)
(Review by Jerry)
I have always found it difficult reviewing gigs involving my son and have usually sought to deflect accusations of bias by ensuring that most of my comments focus on other performers in the band or at the microphone. A solo concert affords no hiding place! However, consanguinity should be no barrier to plain speaking so here’s a fact: that I am biased does not mean that Paul is not brilliant. He is: the gig was and the double CD will be! (I have still not heard it all on disc and look forward to seeing it reviewed by impartial listeners on this blog and elsewhere). Paul, being (in the words of another audience member) “so self-effacing”, will probably be mortified by the foregoing parental effusion but no matter – all three of our children are familiar with the old saying: “You can choose your friends but….”
The concert was well attended (30 – 40 people) and quickly took on an intimate, almost party-like atmosphere as Paul’s introductions , delivered without microphone, developed into chats with the audience. Two sets covered 20 tunes in all – 6 from the first CD, Not Like Me (till now available only as downloads), 11 from the new CD, Just Like Me and 3 that Paul announced as “off-piste”. These last required no apology consisting as they did of Jobim’s One Note Samba (played as an encore), a beautiful version of Gershwin’s Someone to Watch Over Me and Paul’s frantic, funny anthem to ADHD, Distraction(dedicated to the i-phone generation)!
Beautiful, funny, dexterous and sensitive are the adjectives cropping up most in my notes and, in a way, summing up both the compositions selected and the manner in which they were performed. Bring Me Sunshine (here dedicated to two family members who loved this version), Distraction and My Favourite Things all demonstrated amazing dexterity and raised smiles of recognition all round. Coltrane’s Giant Steps, played “slowly” (really???) and in the manner of “Art Tatum on a very, very bad day” drew whoops of appreciation having incorporated stride and several other styles I am unable to name before finishing with an outrageous glissando. “I never said it would be tasteful”, said Paul.
A new tune to me was Nostaloptimist – a coinage for someone who is simultaneously nostalgic and optimistic. As a Sunderland fan, I AM such a person (1937, 1973 and Premiership Champions 2016/7!) and enjoyed this suitably light, jolly tune with hints of Secret Love and all sorts of echoes of TV themes from the 60’s onwards.
For “beautiful” and “sensitive” there was the Gershwin and the Monk (Round Midnight) and two originals, For Kathleen and Sunset. This last was introduced (self-effacingly?) as a “kind of ballad”. That both were “tasteful” goes without saying. Greensleeves and Country Gardens were both tasteful and dexterous and along with Cerebral (with references to Bach) and Vince (with references to Wagner) illustrate an eagerness to embrace all musical genres – if it’s good music, it’ll make good jazz!
As a last word on the dexterity of performance, it was noticeable that about two thirds of the audience chose to sit at the far end of the room where there are good sight-lines to the keyboard and the performer’s hands. Says it all, really.
There are 24 tunes on the double CD which is attractively packaged with design input, as always, from Paul’s “wonderful wife”, Kate. Both discs were recorded at the Lit & Phil with Adam Sinclair overseeing production – so the quality is assured. A snip at £10 but don’t take my word for it – check it out yourselves!
Jerry (Edis)

1 comment :

Anne DeVere Harper (on F/b) said...

amazing talent wish we could come over more often!!!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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