Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sat 03: New Orleans Ragtime Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club. Gavin Lee & co.
Sat 03: Anemone Quartet + Jeepe Zeeburg @ The Lit & Phil, Newcastle. 1:00pm. NFOJAIM.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Caravan. Enrol at: learning@jazz.coop.
Sat 03: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 03: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Free. Excellent blues band.
Sat 03: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.50 (inc. bf). Two sets: 7:30-8:15pm & 8:45-9:30pm. ‘Swing Band Dance Night’.
Sat 03: Olie Brice Quartet + Alexander Hawkins + Harper Trio @ The Lit & Phil, Newcastle. 7:00pm. NFOJAIM.
Sat 03: Paul Skerritt Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 03: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 04: Tees Bay Swing Band @ Heugh Battery, Hartlepool. 11:00am-12 noon & 1:00-2:00pm.
Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 04: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Bill Watson (trumpet).
Sun 04: Sax Choir w. Rachel Musson @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: Rivkala + Ceitidh Mac + Thatcher & Knowles @ The Globe, Newcastle. 2:30pm. A NFOJAIM event.
Sun 04: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free. RESCHEDULED from September 27.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Amphitrio @ The Forum, Darlington. 7:30pm. £8.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: TBC @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Sunday, May 10, 2026

The Merry Month of Miles

This year, 2026, will be remembered for many things most of which we'll probably want to forget. However, one person's name will live on long after the centennial of his birth - Miles Davis (May 26, 1926 - Sept. 28, 1991).

So not only is this his year but May is also 'his month' and celebrations are taking place world wide. Venues large and small, magazines, blogs and record companies are unlocking their vaults. I don't think even Louis, Duke, Dizzy or Bird had quite this much attention devoted to them.

To celebrate the occasion two of his most influential and iconic recordings have been remastered.

Ascenseur pour l'Échafaud
 (Decca France - May 29th, 2026)

This new edition of Davis’ pioneering soundtrack is the most complete and best-sounding restoration to date. Newly cut from the original analogue tapes and remastered at Abbey Road Studios, it brings together the original soundtrack with the complete surviving session takes. The release also includes previously unseen studio photography and new liner essays from Franck Bergerot and Ashley Kahn.

It will be available as a 180-gram LP, a 3×10” LP set, and a limited 2-CD edition.

Birth of the Cool
 (Blue Note - May 22nd 2026)

Davis’ earliest masterpiece receives the Tone Poem treatment in a new audiophile vinyl edition from Blue Note Records. Produced by Joe Harley, the album is mastered by Kevin Gray directly from the original analogue phono reel master tapes, pressed on 180g vinyl at Record Technology Inc., and presented in a deluxe gatefold tip-on sleeve featuring session photography by William “PoPsie” Randolph.

The above album notes are from the press release and although I have yet to hear the end product I feel it in my bones that there will be a new dimension soundwise.

I first heard some of the Nonet tracks on Capital 10" 78rpms which inspired me to splash the cash when they became available on vinyl and later on CD. His earliest masterpiece? You betcha!

The soundtrack album is surely the perfect mix of jazz and film. The plaintive, compelling open horn on the first track reached out to me painting a picture that was both a thing of beauty and a thing of mournful sadness. Possibly the most poignant playing in the history of jazz. I don't think anyone but Miles could have captured those emotional moments. 

Then there is the fast, tightly muted passages that suggest a car chase. So much to absorb.

Without the music, even with the sub-titles, it is a good film. With the music it is a great film.

A King of Blue not withstanding I can't think of two better albums with which to mark this historic occasion. Lance 

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