JATLP Lunchtime Concert Series: The Giles Strong Quartet - Jan. 16

© Patti

Giles Strong (guitar); Pete Tanton (trumpet); Ian Paterson (bass); John Bradford (drums)

Another successful lunchtime session at the Literary and Philosophical Society - the Lit & Phil to you and I. These third Friday in the month concerts are always sold out well in advance so, as our genial host invariably suggests, book for the next one while you still can.

What makes these gigs extra special is the variety of jazz offered as well as the presence of a grand piano when needed and, a rarity at jazz gigs, a printed programme.

The piano wasn't needed for this afternoon's session by the guitar-led Giles Strong Quartet although the programme was useful with its mini biographies of the musicians as well as a set list which, within the allocated 60 minutes, was more or less adhered to.

As for the actual music it was well-played, sometimes exceptionally so, no pedal boards or distortion units to assault the ear drums, in other words the epitome of taste.

The material consisted of, in the main, original compositions by the leader. 

© Patti

However, the concert began with that strange pop song from way back, Nature Boy. It's a much improved song without the words and the solos by trumpet, guitar and bass lifted it to a higher level. Merlin's Merlot was inspired by a young ragtime pianist/bartender at the old Prohibition Bar who entertained the customers by serving up Scott Joplin rags in between pouring shots of liquor.

Argentine composer Astor Piazzolla composed Milonga for Three. Arranged by the leader, two music stands were required to accommodate the lead sheet. It was worth it. Giles explained at length how he came up with the title Tune 22 for the next piece. The explanation went over my head but, fortunately, the music didn't. A nice boppish theme and excellent solos particularly from Pete Tanton who was right on the money.

Pete sat the next one out and Giles played Lullaby for Lissa who beamed affectionately at her partner (Giles) and his beautiful melody. A traditional Japanese composition, Sakura, followed then Blues Clues. Again it had Tanton calling the children home with his big fat brassy sound. Bradford's brushwork was amazing. 

Mubo, which was mega fast, had Bradford on sticks for this one and his solo  brought the first big round of applause and deservedly so.

All too soon it was over. Miljarder Stjärnor by Swedish composer Per 'Texas' Johansson closed the show and the audience showed their appreciation with loud applause for four of the finest - the Giles Strong Quartet. Lance