Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, January 31, 2026

Dan Coulthurst Quintet @ Central Bar, Gateshead - Jan. 30

Dan Coulthurst (trumpet, poetry); Joel Stedman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums)


Dan Coulthurst arrived at Gateshead's Central Bar twenty four hours after a successful gig (100 plus audience) at Cobalt Studios in Newcastle. This evening, on Half Moon Lane, the affable Coulthurst would play to a somewhat smaller audience. 


The Dan Coulthurst Quintet opened with What is to be Done? In possession of a formidable technique, trumpeter Coulthurst touched base with NYC's loft scene of some sixty years ago, similarly Chicago's AACM, through to twenty first century developments, jazz and, fleetingly, improv. Studious, if not earnest, in demeanour, Coulthurst and his bandmates were fully immersed in the music. 


Joel Stedman's bass clarinet, and occasional flute, matched Coulthurst's direct, robust approach. Pianist Nico Widdowson wasn't shy in coming forward, knocking out some tremendous solos along the way. The propulsive bass and drums of Fergus Quill and Theo Goss lifted the ensemble to ever greater heights, at times all five musicians were blowing hard, then harder still. 


Coulthurst's declamatory poetry - think 'Beat Poets' - was largely lost on the audience such was the volume levels of his bandmates. Nevertheless, it did create a certain 'vibe' about the gig. To close an enjoyable evening, Coulthurst and co hit on a N'Awlins/calypso groove. Unexpected, given what had gone before, but so very effective. Russell

     

Set list included: What is to be Done?Is This Tomorrow?Twice in NatureLament for Lost ChildrenCarmineDandelion in the Wind.

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