Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, January 25, 2026

Album review: Red Norvo - The Secret Session (Dot Time Records)

Red Norvo (xylophone, vocal); Shorty Rogers (trumpet); Eddie Bert (trombone); Aaron Sachs (clarinet, alto sax); Hank Kahout (piano); Clyde Lombardi (bass); Specs Powell (drums)

In 1942 musicians were being drafted and the A.F.M. had closed the recording studios. Red Norvo, a musician not one to to let the union's actions stand in his way, bribed a studio engineer to give him access to his studio and, in the dead of night in late 1942 these tracks were recorded, hence the title of The Secret Session

A small group, reminiscent of those jazz chamber music combos such as Raymond Scott, John Kirby and the Benny Goodman Sextet it sits comfortably in that musical twilight zone between swing and bop. By today's standards the rhythm is a bit rumpty-tumpty and although Rogers and Bert later made their name with Stan Kenton it had yet to rub off on them. Both solo well although Bert's tone is a bit bombastic with his solos not as cool as Rogers. Sachs' clarinet slots in nicely although his alto tends to sound a bit leaden.

Needless to say Norvo is the star of the show his xylophone playing comparable with the vibes players who were emerging at the time. As a footnote I fondly remember hearing him in Gostorth with Tal Farlow back in the 1980s. There's a gravel voiced vocal on Keep Smilin' which isn't credited but I'm guessing it's Norvo.

Piano, bass and drums are listed as probable. Whatever, they do the job.

A delightful vignette to be released on Jan. 30 as part of the Legends series. Lance

One Note Jive; Liza; Speculatin'; I May be Wrong; Keep Smilin': Rose Room; Russian Rag; Bugle Call Rag; Slender, Tender and Tall; Optical Illusion

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