Sunday night @ the Globe: the Vasilis Xenopoulos-Paul Edis Quartet - April 27

© Ken Drew

Paul Edis (piano); Vasilis Xenopoulos (tenor sax, flute); Ken Marley (bass); Russ Morgan (drums)

Come Wednesday (April 30) we'll be celebrating, not only International Jazz Day which in itself is a cause worth popping a cork for, but also the anniversary of the Globe as a community owned music venue where, over the past eleven years, there have been many great gigs. However, few, if indeed any of those gigs, have topped last night's session by the Vasilis Xenopoulos-Paul Edis Quartet - not even their own previous appearances! They were on fire!

A balanced mix of standards and originals by the two leaders had the audience voluntarily captured. No one even thought about leaving until they'd heard the very last note of the final cadenza. I didn't need the Metro, I floated home on a cloud.

© Ken Drew

And home was the overall theme of the evening's compositions - not least because Paul and Vasilis' most recent album Feels Like Home is centred around that place where, 'tis said, the heart is.

Going Home got the journey underway and with a little help from Dvořák, who put in the groundwork, we were flying into a new world. Mega extended solos from piano and tenor drew the applause with bass and drums steadying the ship.

Collywood (Collier's Wood) referred to the area where Paul metaphorically hangs his hat. Vasi composed The Yard a number where Ken Marley let his fingers do the walking. A rare standard - The Folks Who Live on the Hill - had the 'Grecian God of the Tenor' at his sumptuous best with perhaps a hint of Dexter Gordon in the mix.

© Ken Drew

Another Vasi original, Get Off My Lawn, was, contrafactually speaking, actually You'd be so Nice to Come Home to which kept it in the remit. It brought the first set to a close and the buzzwords that were circulating didn't include any negatives.

Paul's Lockdown London is self-explanatory and a reflection of that strange period when the world stopped. The rhythm was more contemporary and Vasi's tenor solo left me breathless and I wasn't even blowing the damn thing. After a solo like that I doubt if I ever will!

Composed by Paul in a NYC hotel room, A Rainy Day in Manhattan is not only a great tune but a fantastic title that is just crying out for a lyric.

Vasi took to the flute for Paul's Coming Home to You then back to tenor for a wild  3/4 number Awaiting Boarding (at King's Cross).

The show finished with a mad blast on I Got Rhythm - a tune more frequently played as Anthropology, Lester Leaps in or at least 100 other titles many of which popped up in the solos. Special mention of the fireman and the stoker - Ken Marley and Russ Morgan. Ken had his moments in the sun whilst Russ was confined to solid support and the occasional break. Great that he's back on the scene.

And then it was all over - well not quite. There was also the album which, if you hadn't bought on the night, can be BANDCAMPED. Lance