Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 20: Gerry Richardson Quartet @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Theon Cross + support @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £13.31., £11.16., £9.04. Support set feat. members of balletLORENT’s Creative Studio in association with NYJO.
Fri 20: Groove Crusade @ The Cluny, Newcastle. 7:30pm (doors). £15.00. CANCELLED!
Fri 20: Jason Isaacs Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £32.00.
Fri 20: Joe Steels Group @ Sunderland Minster. 7:30pm. £12.00. +bf, £15.00. on the door. A Blue Patch album tour. Old Black Cat Jazz Club.
Fri 20: Middlesbrough Jazz & Blues Orchestra @ Dorman’s Club, Middlesbrough. 8:00pm. £5.00.
Fri 20: Rendezvous Jazz @ Riverdale Hall Hotel, Bellingham NE48 2JT. Tel: 01434 220254. 8:00pm. SOLD OUT!
Fri 20: Mark Toomey Quintet @ The Traveller’s Rest, Darlington. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, April 15, 2025

Press release: Testimony bears witness to solo saxophonist's ability

© Douglas
Robertson
Saxophonist Phil Bancroft releases Testimony, an improvised suite for solo saxophone, as the sixth release on his Myriad Streams platform on Friday  April 25.

Recorded during lockdown in 2021 in a barn on the smallholding he and his wife, Jude, had recently moved into, Testimony was musically completely unplanned and spontaneous.

“I was exploring the amazing acoustics of the barn and trying to learn how to make videos for social media,” says Bancroft. “So, I set up some cameras and a nice microphone and thought, ‘Let’s see what happens...’”

After pressing the record buttons on his laptop and cameras, Bancroft played his tenor saxophone for just over thirty minutes. “I improvised with no intention or plan. To be honest, while I was playing, I was feeling that the whole thing was a waste of time, that I couldn’t play, my inner critic was in full flow.”

Suspecting that what he had recorded was worthless, Bancroft almost deleted the file. But on listening back to it over the subsequent days, he discovered that he had captured what he now considers the most profound piece of music of his career to date.

Bancroft, who emerged as part of a generation of jazz musicians in Scotland that was defined by the trailblazing John Rae Collective, in which the saxophonist joined trumpeter Colin Steele, pianist Brian Kellock, guitarist Kevin Mackenzie, bassist Kenny Ellis and drummer John Rae, has been a force on the UK scene since the late 1980s.

He has led ensembles from trios to orchestras and multimedia projects, and as well as fronting his acclaimed international quartet, with American bassist Reid Anderson, Norwegian drummer Thomas Strønen, and English guitarist Mike Walker. He was a key part of the much-lauded Trio AAB, with drumming twin Tom and guitarist Kevin Mackenzie. A recent successful tour saw the launch of Bancroft's new trio, The Beautiful Storm with guitarist Graeme Stephen and Indian percussionist Gyan Singh, with whom Bancroft released the enthusiastically received duo album, Birth &
Death.

Solo saxophone recordings have established a genre of their own in recent years and Bancroft, in taking on the role of storyteller and exploring sound worlds of beauty and expression, hopes that Testimony has added to this genre.

“Despite my initial reservations, I feel I have created something of merit that is very much my own work that captures more than just the notes formed in the moment and I am proud and excited to release it into the world.”

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