Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, April 15, 2025

Press release: Testimony bears witness to solo saxophonist's ability

© Douglas
Robertson
Saxophonist Phil Bancroft releases Testimony, an improvised suite for solo saxophone, as the sixth release on his Myriad Streams platform on Friday  April 25.

Recorded during lockdown in 2021 in a barn on the smallholding he and his wife, Jude, had recently moved into, Testimony was musically completely unplanned and spontaneous.

“I was exploring the amazing acoustics of the barn and trying to learn how to make videos for social media,” says Bancroft. “So, I set up some cameras and a nice microphone and thought, ‘Let’s see what happens...’”

After pressing the record buttons on his laptop and cameras, Bancroft played his tenor saxophone for just over thirty minutes. “I improvised with no intention or plan. To be honest, while I was playing, I was feeling that the whole thing was a waste of time, that I couldn’t play, my inner critic was in full flow.”

Suspecting that what he had recorded was worthless, Bancroft almost deleted the file. But on listening back to it over the subsequent days, he discovered that he had captured what he now considers the most profound piece of music of his career to date.

Bancroft, who emerged as part of a generation of jazz musicians in Scotland that was defined by the trailblazing John Rae Collective, in which the saxophonist joined trumpeter Colin Steele, pianist Brian Kellock, guitarist Kevin Mackenzie, bassist Kenny Ellis and drummer John Rae, has been a force on the UK scene since the late 1980s.

He has led ensembles from trios to orchestras and multimedia projects, and as well as fronting his acclaimed international quartet, with American bassist Reid Anderson, Norwegian drummer Thomas Strønen, and English guitarist Mike Walker. He was a key part of the much-lauded Trio AAB, with drumming twin Tom and guitarist Kevin Mackenzie. A recent successful tour saw the launch of Bancroft's new trio, The Beautiful Storm with guitarist Graeme Stephen and Indian percussionist Gyan Singh, with whom Bancroft released the enthusiastically received duo album, Birth &
Death.

Solo saxophone recordings have established a genre of their own in recent years and Bancroft, in taking on the role of storyteller and exploring sound worlds of beauty and expression, hopes that Testimony has added to this genre.

“Despite my initial reservations, I feel I have created something of merit that is very much my own work that captures more than just the notes formed in the moment and I am proud and excited to release it into the world.”

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