Total Pageviews

Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, July 19, 2024

Theo Croker @ the Glasshouse, Gateshead - July 18

Theo Croker (trumpet, vocals, electronics);  Mike King (keys/piano); Eric Wheeler (bass); Jaylen Petinaud (drums)

It was with a sense of trepidation that I approached the entrance to Sage Two at the Glasshouse. The prophets of doom had warned me that it would be beyond my comprehension. 

Age-wise it was a more varied audience than usually turns up at a jazz gig and my antiquity showed when I presented a paper ticket as opposed to my phone. The word Luddite sprung to mind as I sheepishly made my way in.

The audience knew what they were here for and whooped and hollered before a note had been blown in anger. I, Luddite that I am, allowed myself a polite hand-clap.

The music began and I sat bemused as Croker played a few long notes then twiddled some knobs on a forbidding looking array of electronic devices. This first five minutes seemed like an hour and then, AND THEN! It suddenly erupted when King took the Steinway, the Nord and the Rhodes to the cleaners and back. This guy was playing more piano than I'd heard from any ten other pianists combined. Petinaud on drums was soloing even when he wasn't soloing inspiring Croker to leave the toy box and blow the best trumpet solo I'd heard since hearing Roy Hargrove all those years ago. On bass, Wheeler kept it all together. His day would come in the second set.

The bells and whistles hadn't disappeared but they were now an integral part of the performance as opposed to their initial irritation.

The second set opened with a long and rather beautiful bass solo. Croker, now my favourite trumpet player (sorry Wynton), like most American jazzers also had a good line in patter as well as in picking tune titles. He described I Really Want You to Stay Overnight But I've Only Got One Pillow as a love song. Maybe it was but it didn't come out of Tin Pan Alley or the Brill Building.

When the room was burning and the flames were getting higher it crossed my mind that perhaps Miles had been reincarnated. Whatever, this was one of the most memorable gigs I've witnessed. I went in with misgivings and left with only givings. A whole truckload of them and all gratefully received. Lance

PS: For the vociferously demanded encore, he sang Never Let Me Go - very appropriate.

1 comment :

Jen said...

What a great write-up Lance. Your enthusiasm is infectious. Sounds like a really memorable evening. Sorry I couldn't be there.
Jen

Blog Archive