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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17346 (and counting) posts since we started blogging 16 years ago. 630 of them this year alone and, so far, 35 this month (Sept. 11).

From This Moment On ...

September

Mon 16: Swing Manouche @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 16: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: John Hallam with the James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert!

Tue 17: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. Tel: 0191 237 3697. ‘Indian Summer Afternoon Tea’.
Tue 17: Jason Isaacs @ St James’ STACK, Newcastle. 3:00-5:00pm. Free.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Abbie Finn (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 18: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session.

Thu 19: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 19: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Kevin Eland, Dan Johnson, Jeremy McMurray, Ron Smith.

Fri 20: Lindsay Hannon’s Tom Waits for No Man @ Gala Theatre, Durham. 1:00pm. £8.00.
Fri 20: Rob Hall & Chick Lyall @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Leeway @ 1719, Hendon, Sunderland. 7:30pm. The Old Black Cat Jazz Club. CANCELLED!
Fri 20: Gaz Hughes Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 1:00-2:45pm. Free.
Sat 21: Baghdaddies @ Two by Two, Albion Row, Byker, Newcastle NE6 1RQ. 6:00pm.
Sat 21: Jude Murphy & Alan Law @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:30pm. Free.
Sun 22: Dulcie May Moreno Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Richard Herdman @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 22: Remy CB Band @ Blues Underground, Nelson St., Newcastle. 8:30pm. Free. Remi, 2024 Newcastle Uni graduate, superb soul/blues voice!

Monday, July 15, 2024

Press release: Sentient Beings – Truth is Not the Enemy (Discus Music)

Faith Brackenbury (violin, viola); John O’Gallagher (alto sax); John Pope (bass); Tony Bianco (drums)

A set of  high intensity free jazz interactions captured live at The Vortex, London in early 2024. Brackenbury and Bianco have worked together as a duo for a number of years and this is their third Discus Music release, following their opening fire music statement Rising Up (112CD) and the mystical Hildegard von Bingen + Coltrane inspired Wayward Mystic (140CD). 
 
The addition of Pope and O’Gallagher expands the duo into a formidable improvising quartet.
 

Tony Bianco writes: “In this world overwhelmed by confusion, it was great to have purpose for 7 days. That’s how many dates Sentient Beings had on their tour in February 2024. This recording is the last night of the tour.

As soon as we met, there seemed to be a joy. Joy and camaraderie. As soon as we hit, it was happening. The purpose was the Truth of playing, bringing us out of the confusion of this world. Truth is. It’s in front of us all the time. That’s where the music comes from. We all go through the ups and downs of life. Hills and Valleys, but Truth is not the enemy.”

DISCUS MUSIC
5 Slayleigh Lane,
Sheffield S10 3RE, England
www.discus-music.org
www.discusmusic.bandcamp.com
www.facebook.com/discusmusic
mw.archer@btinternet.com


1 comment :

Paul Bream said...

The Sentient Beings quartet played a superb gig at the Globe back in January, and it's great to be reminded of how good they were with this album, recorded live around a week after their Newcastle appearance. The original version of the band had Paul Dunmall on reeds - a hard act to follow, but American saxophonist John O'Gallagher proved a worthy replacement - in fact something of a revelation, reinforcing the nature of free improvisation as 'instant composition' with passages that were utterly spontaneous yet felt like exquisitely conceived melodies.

The music on the album is described as "fiery and dynamic", and much of it certainly fits this characterisation, but it perhaps fails to recognise the tonal variety in the playing as the four musicians come together in various permutations, freely exploring possibilities across the dynamic range. This is perhaps particularly noteworthy in the contributions of band leader Tony Bianco, who can at times be a remorselessly torrential player, but here is unfailingly sympathetic in his support of his fellow musicians (which isn't to say that he doesn't unleash some thunderous assaults when appropriate!).

But it's probably wrong to single out the contributions of any individual member of the quartet; this is primarily a collective endeavour of close listening and empathetic response, with each of the participants equally free to subtly shift the direction of the music. Very highly recommended.

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