Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Monday, May 13, 2024

The Fergus McCreadie Trio @ the Glasshouse - May 12

Fergus McCreadie (piano); David Bowden (bass); Stephen Henderson (drums)

In my early childhood my parents would take (drag?) me along to concerts by, amongst others, the Hallé Orchestra at the City Hall in Newcastle. To my mother the Hallé were the equivalent of the Beatles and Sir John Barbirolli her 'Elvis'. I was perhaps less enamoured although I did eventually come to appreciate the changes of mood and tempo during the movements of the various symphonies that I learned to love (and sometimes hate!)

The thunderous crescendos, the pastoral calm that followed, the intricacies of the strings sawing away against the stentorian bombast of the brass, the woodwind caught in the crossfire and all underpinned by the clashing of the cymbals and the boiling kettle drums triumphantly telling us that victory was nigh.

Although there were no kettle drums, violins, brass or woodwind at last night's concert at the Glasshouse by the award-winning Fergus McCreadie Trio's magnificent first set the overall effect was similar and, after 45 minutes of nonstop music I was so emotionally drained that a second set would have totally wrecked me.

This was jazz for tomorrow and the day after maybe even the day after that linked with the undercurrent of the pianist's Scottish homeland. Piano technique in abundance to the extent that, at one stage I feared a demolition job on the Steinway was imminent only for it to be pulled back from the brink with some delicate, melodious passage and all done without a cheat-sheet in sight.

Bassist Bowden was also responsible for some of the calmer moments his arco solos reminiscent of those early City Hall concerts whilst his pizzicato playing also took me back to City Hall although this time for, say, Ray Brown or Reggie Workman.

On drums, Henderson was relatively subdued (other drummers take note) making his presence felt rather than heard apart from when the mood demanded it.

It was an unforgettable experience that, from this listener's point of view would have benefitted from a few words about the three pieces played rather than the continuous uninterrupted set. Lance  

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