Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Tuesday, March 26, 2024

90 Greatest Artists of All Time.

The April issue of DownBeat has an interesting article whereupon a team of experts have compiled an alphabetical listing of, in their collective opinion, the 90 Greatest Artists of All Time.

Of course, by their own admission, the list could have been longer but 90 was the figure chosen, this being their 90th anniversary year.

Like every other reader of that venerable magazine, I too have muttered sentences such as 'Why haven't they picked so and so?' or 'What are they doing there?' However my main gripe is that only one Brit makes the list - John McLaughlin.

So, dear readers, which, if any, British musicians do you think should have been included? Lance 

3 comments :

Chris Kilsby said...

These greatest lists are of course an exercise in futility and personal taste. But I have say this one made me think, as it echoes arguments about the primacy of the US of A in this thing some call jazz. While I strongly believe there are distinctive and "authentic" strands of jazz practiced outside the US (notably the UK, various other parts of Europe and Israel), I have to concede British individual jazz greats (as opposed to bands, or simply very fine players) are thin on the ground. I guess a lot of this is down to the small size of our country and jazz establishment and opportunities. My experience (as limited as it is) is mostly post 1970, and from that period I would certainly endorse McLaughlin, alongside of course his contemporary Dave Holland. I don't suppose we can claim Kenny Wheeler?!

Russell said...

George Shearing, John & Cleo made it big in the US, Tubby Hayes, Stan Tracey...

Lance said...

Although Kenny Wheeler was from 'the Colonies' (Canada) his most productive work was done in the UK and as, until 1977, Canadians had dual British nationality I think we can stake a claim.

By the same token a strong case can be made out for perhaps the greatest and most innovative of all our colonial imports - alto saxophonist Joe Harriott who was part of the Windrush Generation. He was commemorated by a plaque in 2018 in Southampton where the ships from the Caribbean docked.

If 'making it big in the US' is part of the criteria then look no further than Acker Bilk!

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