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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17957 (and counting) posts since we started blogging 17 years ago. 278 of them this year alone and, so far, 34 this month (April 14).

From This Moment On ...

April 2025.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Mon 21: Newcastle Record Fair @ Copthorne Hotel, Newcastle. 10:00am. Going in search of the Buddy Bolden cylinder…
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 31, 2023

Album Review: Don Thompson/Rob Piltch – Bells…Now And Then

Don Thompson (piano, bass, vibes); Rob Piltch (guitars).

Topped and tailed by two new songs, this is an album that was originally recorded and released in Canada in 1982 and has now been remixed and remastered for re-release. Forty years on it sounds fresh as new paint, with added interest provided by the various voices Thompson provides depending on which instrument he is playing on the track. (In fact, it is the bass/guitar tracks that work best IMHO, especially the calypso jaunt of Caribe with its dancing guitar and rich full bodied bass underneath).

Having said that, Thompson is/was a wonderful pianist, a slightly less melancholic Bill Evans, indeed I suspect that the inspiration for this album back in 1981 and 1982 lay in the two Bill Evans/Jim Hall albums Undercurrent and Intermodulation they recorded in the 60s.

A Suite of five pieces takes up most of the second half of the CD album (it was the second half of the LP as originally released). The first piece, Kyoto, features a long roaming, exploratory bass solo with minimal support from Piltch. Piltch steps forward for Moon Dance all ringing, celestial, harmonics on the guitar. Red Dragon Fly evokes the wide open west and the Haden/ Metheny album Beyond the Missouri Sky though, of course Thompson/ Piltch were here first. Thompson plays beautiful elegant runs on the piano, casting out streams of notes and Piltch conjures up elliptical slides and slurs from his guitar. By way of contrast, Nexus, is a free piece of round notes on the vibes and skittering guitar sounding like it was recorded in a cavern. Thompson stays with the vibes for Chant as it leads us into the night and the end of the original album. The new last track, Days Gone By, is led off by Thompson, firmly in Evans mode before Piltch joins in o contribute a pointillist solo of single, darting notes. As elsewhere on the album their playing together is tightly interwoven and intertwined, yet delicate, like lacework. It’s a lovely album that may not have been very successful on its first release but it deserves to do well second time around. Dave Sayer

BANDCAMP (Modica Music)

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