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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 31, 2023

Album Review: Don Thompson/Rob Piltch – Bells…Now And Then

Don Thompson (piano, bass, vibes); Rob Piltch (guitars).

Topped and tailed by two new songs, this is an album that was originally recorded and released in Canada in 1982 and has now been remixed and remastered for re-release. Forty years on it sounds fresh as new paint, with added interest provided by the various voices Thompson provides depending on which instrument he is playing on the track. (In fact, it is the bass/guitar tracks that work best IMHO, especially the calypso jaunt of Caribe with its dancing guitar and rich full bodied bass underneath).

Having said that, Thompson is/was a wonderful pianist, a slightly less melancholic Bill Evans, indeed I suspect that the inspiration for this album back in 1981 and 1982 lay in the two Bill Evans/Jim Hall albums Undercurrent and Intermodulation they recorded in the 60s.

A Suite of five pieces takes up most of the second half of the CD album (it was the second half of the LP as originally released). The first piece, Kyoto, features a long roaming, exploratory bass solo with minimal support from Piltch. Piltch steps forward for Moon Dance all ringing, celestial, harmonics on the guitar. Red Dragon Fly evokes the wide open west and the Haden/ Metheny album Beyond the Missouri Sky though, of course Thompson/ Piltch were here first. Thompson plays beautiful elegant runs on the piano, casting out streams of notes and Piltch conjures up elliptical slides and slurs from his guitar. By way of contrast, Nexus, is a free piece of round notes on the vibes and skittering guitar sounding like it was recorded in a cavern. Thompson stays with the vibes for Chant as it leads us into the night and the end of the original album. The new last track, Days Gone By, is led off by Thompson, firmly in Evans mode before Piltch joins in o contribute a pointillist solo of single, darting notes. As elsewhere on the album their playing together is tightly interwoven and intertwined, yet delicate, like lacework. It’s a lovely album that may not have been very successful on its first release but it deserves to do well second time around. Dave Sayer

BANDCAMP (Modica Music)

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