Total Pageviews

Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Tweed River Jazz Band @ Repas 7 by Night, West St., Berwick TD15 1AS. 7:30pm. Free. Album launch gig.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, September 18, 2023

Album review: Audrey Silver - Oklahoma

Audrey Silver (vocals, Native American flute on tk 1); Bruce Barth (piano, arranger); Peter Bernstein (guitar) + Adam Kolker (alto flute, bass clarinet on 3 tks); Kahlil Kwame Bell (perc. on 2 tks); Sarah Zun, Adda Kridler); Kaya Bryla (viola); Maria Jeffers (cello). The string quartet are on 3 tks.

I must confess, Oklahoma isn't my favourite musical - that honour goes to Kiss me Kate. Nevertheless, despite my reservations about the source material this album helps to redress the balance.

Silver's voice is much jazzier than Shirley Jones' or Gloria Graham's in the film and Barth's arrangements, along with his piano solos that occasionally bring Erroll Garner to mind, and Bernstein's impeccable guitar playing take it, musically, as far from Rodgers and Hammerstein's portrait of the 'Sooner State' as is imaginable. Maybe even to Kansas City where, as the song goes, everything is up to date.

Silver plays an introduction to the opening track on a Native American Flute - more about the instrument can be found HERE. The sound is quite plaintive and vaguely like that of a treble or tenor recorder. The reason for her choice of instrument is particularly  interesting.

Oklahoma was based on a 1931 play Green Grow the Lilacs by Lynn Riggs. Although the two productions had similarities, Hammerstein opted not to acknowledge the Native American content in the earlier production so Silver decided to make amends.

I think she succeeded. Lance

Oklahoma; Many's a New Day; Oh What a Beautiful Mornin'; I Cain't Say no; The Surrey With the Fringe on Top; Out of my Dreams; People Will Say We're in Love; Kansas City; Boys and Girls Like You and me*; Oklahoma (reprise)

*Cut from actual show.

Release date is October 6 on Messy House Records.

1 comment :

Ann Alex said...

Anyone who plays a wind instrument should click on the HERE as the link gives a fascinating insight into this instrument which does indeed sound like a breathy recorder. As a tin whistle player I'd love to have a try at this instrument which has a lovely haunting sound.

Blog Archive