Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18585 (and counting) posts since we started blogging 18 years ago. 449 of them this year alone and, so far this month (May 31) 103

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:20pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00

Sat 06: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 2:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Burnlaw Centre, Hexham NE47 8HF. A weekend event in association with Star & Shadow Cinema. Film screening at 9:30pm. £28.02. Dir. Guillaume Maupin & Pablo Guarise.

Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:00am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free. Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:40pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).

Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 11:50am. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 5:15pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).

Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 3:00pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.
Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 09: FILM: Köln 75 @ Tyneside Cinema, Newcastle. 8:10pm. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne.

Saturday, September 09, 2023

A Study in Frustration

No, this isn't a reference to the legendary four LP set that acknowledged the importance of, arguably, the first great big band leader and arranger, Fletcher Henderson. Having said that, anyone out there who'd like to post something about Henderson please do so as this is what BSH was intended to be all about in the first place, hence my own frustration.

Okay, so Henderson wasn't a bopper although he did record with perhaps the original bopper Charlie Christian, that's by the by. My original intention was to set up a blog where musicians and fans  could chat and share opinions rather than to become a listing of local gigs and repetitive reviews of local bands and albums by bands from both here and abroad.

I know trying to compete with Facebook is an impossible task - they said that when David got into the ring with Goliath - which is why I share BSH blogs on F/b which keeps us in the fight. However, that's as maybe and nobody's ever going to beat the behemoth that is F/b although I do hear a rustling in the undergrowth ...

What I'm trying to get across here is that, whilst we will continue to review and list gigs, albums and whatever it would help to ease my frustration if you could email me your thoughts and opinions on any jazz related subject, other than self-promotion, that is suitable for posting. Lance (lanceliddle@gmail.com)

3 comments :

Steve Andrews said...

As a total Fletcher Henderson fan, I agree he wasn't a bopper but would note that in the 1940s he employed, amongst others, Dexter Gordon, Art Blakey, Linton Garner, Ed Gregory (Sahib Shihab), and Sun Ra, along with many less well-known but worthy young swing-to-boppers. Check out the 1944/45 airshows on YouTube. Smack's last band in 1950 featured the wonderful Lucky Thompson on tenor!

Tony Charlton said...

This post prompted me to dig out one of my favourite 78s - My Gal Sal / Business In F by The Stokers Of Hades (aka Fletcher Henderson) on Parlophone R1196. To my now-antiquated ears, this offers superior sound quality to what is available on the 1961 LP set or subsequent CD reissues.

I have heard Steve Andrews play Business In F with the NCRO. Given that this piece is the work of Archie Bleyer, known in his words as "King Of The Stocks", would this indicate that the arrangement is still currently published? Having read up a bit on Mr.Bleyer, I
find that by the late 1950s he was the father-in-law of an Everly Brother and producer of the duo's famous hits, having had a hit
of his own a little earlier with Hernando's Hideaway. All of which is a far cry from Coleman Hawkins just over twenty years earlier!

Business In F didn't make it to the Frustration set neither, perhaps more surprisingly, did It's The Talk Of The Town, Hawkins' first fully-fledged ballad solo on record. Does anyone have any suggestions why? Some anti-Hawkins bias on the part of John Hammond maybe...

Steve Andrews said...

Re: Tony Charlton's comment, yes, the NCRO played Business in F off the Archie Bleyer stock arrangement (perhaps altered a bit by Dave Kerr, I can't remember now). I doubt that the stock is still available, but Dave seems to have the happy knack of finding them from his sources around the world! I DO remember starting it on the wrong note at Whitley Bay Jazz Festival - because the title is Business in F, I was thinking in concert key, and started on a C rather than a D (concert C on Tenor sax). Sadly for me, this cock-up is for ever immortalised on Youtube! Thanks for the fascinating further history on Bleyer, too.

As to why Hammond omitted those two great Henderson tracks on the LP set, I guess it was simply down to space available and the positive wealth of material that Fletcher left on record. They were both recorded on Columbia, so would certainly have been candidates. It's perhaps strange that he omitted Talk of The Town because it was from a session for English Columbia & Parlophone that Hammond arranged and supervised, so perhaps it WAS anti-Hawkins bias on his part - he certainly was a Lester Young man after the mid-'30s!

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