Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 29, 2023

Sugaray Rayford @ the Fire Station, Sunderland - May 26

My first time at the Sunderland Fire Station, a nice spacious venue. I was expecting a blues artist – generally a safer bet for this type of gig – but what we got was more soul. Neither neo nor retro but the type of thing that’s just kept going quietly in the hinterland ever since soul music’s heyday.

And he could sing too, the best comparison I could come up with was Eddie Levert of the O’Jays, one of the very best, though playing an album by bluesman Lucky Peterson on the way home also showed similarities, which was a happy coincidence.

And he was funny, though his preoccupation with big-legged women with big booties may have proved troublesome in another town with a different generation in amongst the 120 strong audience.

 

Bill Withers Who is he and What is he to You? opened the set but was followed by mostly original stuff, him doing much booty shaking to songs about big-legged ladies. A couple of blues excursions proved they could do that too, lots of rock star posturing by the appropriately attired guitarist.

 

Just to demonstrate how good his band were – and he also had trumpet, sax, keyboards, bass and drums (though the guitarists resonator sadly remained on the stand, perhaps an indication that getting more bluesy could have been an option) – they gave us short bursts of reggae, country and western and bebop, asking the audience if the latter was over our heads. Perhaps, but maybe also above the heads of the band who were very good but not quite great.

 The low-point came when the keyboardist – playing mostly a Hammond sounding organ clone – sang what Sugar described as a negro spiritual but sounded to me more like Meatloaf, the guitarists posturing reaching its apogee.

 

Two albums at the merch stand: one more soul and the other more blues according to the salesperson. Mrs T streamed the soul one and I bought a CD of the blues one but he’d got them the wrong way round.  Will we see Mrs T coming round to blues?! Steve T      

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