The title of the film could be used to describe the scheduling across the thirteen stages at the festival, or at least the six I used to create my own schedule. By the first afternoon it became clear that, while it was possible to see bits of lots of gigs, because of the distance between stages and the sheer number of people there, the only way to ever get a decent view was to commit to a smaller number of gigs. I was originally drawn to a dozen acts which, after some homework inflated to forty five though I was in the throws of whittling it down.
I’d always known there’d be trade-offs and by the end I’d sacrificed Buddy Guy, Leon Bridges, Morgan Heritage, Jon Batiste, Ludacris, Chris Thomas King, Herbie Hancock, Tom Jones and others. There was also a stage that I never found or looked for featuring interviews with Terence Blanchard, Dee Dee Bridgewater, Christian McBride and others. However, the biggest disappointment was missing both former members of N’Awlins funk band the Meters: George Porter Jnr and Zigaboo Modeliste. Through the wonders of modern technology it was possible to obtain a recording of any show across the festival and I was able to buy a CD of George Porter’s set off the shelf, though others were having their choices created specifically for them on the spot.
Incidentally, on the return flight I enjoyed the film Woman King featuring original music by Terence Blanchard, an artist I saw about ten minutes of. Steve T
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