Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 19, 2023

Jazz at the Lit & Phil: The Windy City Weatherbirds - May 19

(© Lance)
Magnus Pickering (long model cornet, vocals); Joe Pickering (reeds); Daniel Pickering (trombone); Harrison Dolphin (guitar); Paul Grainger (bass); Robbie Ellison (drums)

It was like being at Newcastle's legendary New Orleans' Club back in the day. All that was missing was the smoke, the drunks and the mic. This latter item would have been handy to have. Otherwise, we could have been listening to those jazzmen who sailed under the flag of Panama or those of the River City Jazzmen. Both bands executed (in more ways than one) a brand of Dixieland cum Chicago that set the benchmark for this style in Newcastle.

(© Patti D)
Up from London, the Windy City Weatherbirds, fronted by the brothers Pickering (reminds me of the Christie Brothers Stompers), delved deep into the Chicago/Dixieland songbook soloing with retrospective authenticity.

I referred earlier to the lack of a mic. This was a two-edged sword. Certainly it would have enhanced Magnus' vocals had he been given that extra sonority so essential when singing these days. In fairness he did okay no doubt helped by the house acoustics plus, had he had a mic it would have amplified a couple of faux pas he made in his announcements.

Bob Crosby didn't play clarinet and, At the Jazz Band Ball although recorded by Muggsy Spanier's Ragtimers wasn't an actual rag and they weren't a big band either.

Still, that's just me nitpicking which is something I couldn't do regarding the music which was superb.

All the three front line siblings (silently) boast of their achievements over several different genres and they have the technique to handle them.

Unusually, for a Dixie outfit, drummer Ellison used predominantly brushes and it was no worse for that.

The beautifully named Harrison Dolphin played acoustic guitar amped up by the only mic (am I reading more into this than I should?)

Stepping in at the eleventh hour was local 'boy' Paul Grainger on bass. Paul is rapidly evolving on the local scene as both bass player and gig organiser - indeed he is involved with tonight's gig by the band at The Vault in Hexham.

This was different from the usual bill of fayre at the Lit and Phil but that is the strength of these monthly gigs - quality and diversity is what Russell delivers.

One of the many comments I heard as I was leaving: 'Wasn't it great to hear young musicians playing jazz like this?' 

She was right! Lance

South Rampart Street Parade; I Wish I Could Shimmy Like my Sister Kate; If I Had You; At the Jazz Band Ball; Fools Rush in; I'm Crazy 'Bout my Baby; Lazy River; Riverboat Shuffle; Ain't Misbehavin'; Sweet Sue - Just You; 'S Wonderful; That's A-Plenty; Big Butter and Egg Man.

1 comment :

NeilC said...

I enjoyed the gig . I,like you Lance, thought putting songs with vocals in without a mic was a huge risk that didn't really pay off . The musicianship was excellent but I felt for Magnus who appeared quite nervous. The addition of having to perform vocals without a microphone to playing the cornet proved a huge challenge. Having failed to play a clarinet at school I am in awe of anyone who can play it and I thought Joe was outstanding . A really enjoyable hour in a very convivial venue.

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