Album review: Billy Drummond & Freedom of Ideas - Valse Sinistre

Billy Drummond (drums); Dezron Douglas (bass); Micah Thomas (piano); Dayne Stephens (saxes).

Drummond's opening words on the album notes are both joyous and sad. "Thank you for purchasing and listening to this recording. In these times, when music is basically free of charge, it's nice to know that purchasing a musician's work is still important to you". The sadness comes on a day when many households are reported to be  facing poverty yet NUFC, courtesy of their Saudi paylords, are able to fork out close on sixty million squid for a foreign footballer and heavyweight boxer Tyson Fury demands five hundred million of the same to come out of retirement. The world has truly gone mad!

Still, nothing I can do to change things, as the man who passed by on the other side of the road said, other than to highly recommend this album - providing you like post-bop as it is in 2022.

Stephens blows tenor and soprano - driving on the former, lyrical on the latter (and occasionally vice versa). He doesn't unleash cascades of meaningless notes but, even on uptempo numbers the sense of direction is always there. Pianist Thomas also knows where he's going and Douglas has no problem going with him.

Drummond is, arguably, one of the most innovative drummers currently on the NYC scene - which means the world - although, as is their wont, the DB critics didn't see it in their 2022 poll! They will next year after they've heard this!

The material pays tribute to and draws from some of the great modern jazz masters of the not so distant past including Jackie McLean (Little Melonae), Carla Bley (Valse Sinistre), Grachan Moncur III (Frankenstein), Frank Kimbrough (Clara's Room), Stanley Cowell (Reconfirmed) and Tony Williams (Lawra). Drummond also provides Changes For Trane & Monk, Thomas chips in with Never Ends and there's a sumptuous version of the standard Laura which bears little resemblance to Williams' tune of the (almost) same name. Lance

Try/buy.

As a footnote I should like to thank singer Tessa Souter for turning me on (to the album) just as she did back in the day with her singing at the Cherry Tree backed by the Pete Gilligan Trio.