Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, August 12, 2022

Revisiting The Stardust Road

I picked up this book a long time ago from that second-hand bookstall (Robinson's) that survived for many years in Newcastle's Grainger Market. It was perhaps the best used bookshop Newcastle had had up until then and it only closed after the invasion of the charity shops.

The Stardust Road charts Hoagland Carmichael's journey along the way to composing some of the greatest standards ever written. But that, whilst important, is only part of the story.

Running parallel with this are his ups and downs, his memories of the so-called Jazz Age that are, arguably, more authentic than anything F. Scott Fitzgerald ever wrote. Hoagy was there, playing in bands, discovering and trying to uncover the mystique of jazz.

There was no Berklee or Julliard, not even a workshop at the yet to be invented Jazz Coop - you learned by listening to Louis or King Oliver on record or, if it berthed nearby, on a riverboat. Bix did that too and Hoagy's story is peppered throughout with memories of Bix from the day he first heard him until the day he died.

The narrative's chronology is ragged, nonexistent and yet, that makes it all the more readable! You can almost taste grandma's apple pie, visualise the clothes and sigh at Hoagy and his then girlfriend's failed attempts to carve their initials on a campus tree which was probably just  as well as they both ended up marrying someone else. If the tree is still there it would surely be a tourist attraction!

The now incomprehensible Hoosier humour of the age may be just that - incomprehensible - but it can't diminish the privilege of discovering what went into the DNA of one of the greatest songwriters ever. Like his friend and occasional collaborator Johnny Mercer, he didn't need a chorus line of Broadway beauties to write a good song - he just did it.

Stardust Road was published in 1946. Twenty years later, Carmichael wrote a second autobiography which, I gather, is a more chronologically annotated tome - Sometimes I Wonder - which updated his career. It's on the shelf so maybe I'll give it a whirl but... Lance

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