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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17421 (and counting) posts since we started blogging 16 years ago. 695 of them this year alone and, so far, 100 this month (Sept. 30).

From This Moment On ...

October

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free. Wed 09: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 09: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 09: Shunya, Dudù Kouate & Seb Rochford @ The Cluny, Newcastle. 8:30pm (7:30pm doors). £21.00.

Thu 10: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 10: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Collaborations - it happened all the time’.
Thu 10: Indigo Jazz Voices w. the Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 10: Side Cafe Orkestar @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 10: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. With guests Donna Hewitt (sax); Bill Watson (trumpet); Graham Thompson (keys); Ron Smith (bass). Free.

Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock).
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:30pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, January 24, 2021

Album review: A second review* of The Royal Bopsters - Party of Four

Jazz vocal group, The Royal Bopsters, have just produced their second release - Party Of Four - which also includes veteran vocal bopsters, Bob Dorough and Sheila Jordan as well as bass giant Christian McBride on selected tracks. 

A master class of vocal jazz artistry, The Bopsters project vocalese in tight, intricate harmonies on a disc containing drama and  multi-layered harmonies that draw much inspiration from classic vocal groups of yore. These include Lambert, Hendricks and Ross (The Bopsters' 2015 debut CD, included guest spots from both Ross and Hendricks), the Hi Los, and The Manhattan Transfer. POF exudes  a deeply swinging  amalgam of vocal virtuosity with precise but fully breathing arrangements that effectively combine the yin and yang of this discipline.

The CD is dedicated  to founding member and alto singer, Holli Ross, who sadly succumbed to cancer in May 2020. Her vocal feature on Cuando Te Veal (When I See You) also includes her  English translation of the lyrics of this Tito Puente mambo classic. She also  contributed additional lyrics for Pete McGuinness' skillful and swinging  arrangement of But Not For Me. Her lyrics were implemented in a soli section based on a classic Chet Baker  scat solo where her lyrics question the song's loveless melancholic that wastes so much time on a fruitless endeavour like love.

As space does not enable one to discuss and cite  each track, one can be assured that each of the twelve entries are  gems. A rich and  effective blend of classic Broadway standards, epic jazz compositions, the aforementioned Puente mambo, down and  dirty blues swaggerings and an original song penned  by Pete McGuinness. All of which tot up to a seamless array of "old, then and now" repertoire.

The individual uniquenesses and strengths  of the Bopsters go a long way to making this foursome such a party. In the 1990s, as well as releasing four critically acclaimed solo albums, soprano Amy London spent three years singing lead in the vocal quartet in the hit Broadway show City of Angels. She also contributed lyrics to pianist, Steve Schmidt's song, Why'd You Do Me The Way You Did? as well as McGuinness' Our Spring Song. 
The aforementioned Holli Ross was a member of two other NYC vocal groups, String Of Pearls and Mad Romance. She was a highly accomplished lyricist having penned lyrics to Gil Evans' tune, Boplicity (Bebop Lives) recorded by Mark Murphy as well as Sarah Vaughan's I Have Waited So Long, recorded by Janis Siegal with the Count Basie Orchestra.
Bass singer and arranger, Dylan Pramuk delivers a vocalese solo based on Bill Evans' solo on Lucky To Be Me from his 1959 album "Everybody Digs Bill Evans". The workhorse of the group, he arranged eight of the twelve titles including Daydream, with an acapella treatment containing subtle harmonic shifts evincing a pristine clarity which delivers this Strayhorn gem with aplomb.
Tenor voice, Pete McGuinness is also a fine trombonist, composer/arranger and bandleader having released three exemplary CDs to date. His arrangement of Wayne Shorter's Infant Eyes, sparkles handsomely in its subtle and haunting splendour. His tour-de-force scatting and arrangement of My Shining Hour, brings the CD to a fervent close.
The Royal Rhythm Section includes pianist and Cincinnatian pal of London, Steve Schmidt. A longtime member of The Blue Wisp Big Band, Steve is a distinctive soloist and arranger/composer to boot.
Veteran stalwart NYC bassist, Cameron Brown,  has played with just about everyone including Dewey Redman, Don Cherry and Jim Pepper. 
Steve Williams, was Shirley Horn's drummer for 25 years having recorded fifteen discs with her. He brings the same sensitivity and flexibility (that he demonstrated with arguably the greatest jazz singer/pianist that ever was) to the musical needs of the Bopsters.
An epic release indeed, Party Of Four, is a must acquisition for fans, students and historians of jazz vocal groups. Grab it!
Frank Griffith

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