For the past fifteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...December
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:30pm. £7.50.
Sun 03: The Central Bar Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. The Central Bar Quartet plays Lou Donaldson’s Gravy Train. Featuring Jamie Toms.
Sun 03: Revolutionaires @ The Water House, North Road, Durham. 4:00pm. Rock 'n' roll excellence! Line-up inc. Pete Tanton.
Sun 03: Paul Skerritt @ Smith’s Arms, Carlton, Stockton-on-Tees. 7:00pm.
Sun 03: Johnny Hunter Quartet @ The Globe, Newcastle. 8:00pm.
Sun 03: Jam session @ The Schooner, Gateshead. 8:00pm. Free.
Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 04: Northern Monkey Brass Band @ People’s Kitchen, Bath Lane, Newcastle. From 5:30pm. On-street gig supporting the work of the People’s Kitchen charity. Wrap up warm! Donate!
Mon 04: Michael Young Trio w Lindsay Hannon @ The Engine Room, Sunderland. 7:00pm. Free.
Mon 04: James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £8.00.
Mon 04: Durham University Jazz Orchestra + Durham University Big Band @ Durham Castle DH1 3RW. 8:30pm. £6.00.; £5.00. concs; £4.00. DSM. ‘Jazzy Christmas’.
Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!
Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 8:00pm. Free. Note later start time, concert performance (open to the public).
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Thu 07: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free CANCELLED!
Thu 07: Vieux Carré Hot 4 @ Spanish City, Whitley Bay, Newcastle. 12 noon - 4:00pm. £26.00 (inc 3-course meal in in St Mary's Lighthouse Suite). SOLD OUT!
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 7:30pm.Donations. Feat. Mark Sanders. CANCELLED!
Thu 07: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. Downstairs.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 08: Hayley's Little Big Band @ Woodland Village Hall, Bishop Auckland. 7:00pm. £12.00.
Fri 08: Sleep Suppressor + Redwell @ Head of Steam, Neville St., Newcastle. 8:00pm. £10.00. (£8.00. adv); £5.00. student.
Fri 08: Hot Club du Nord @ St Cuthbert's Church, Shadforth, Co. Durham.
Fri 08: Têtes de Pois + Nauta @ Cobalt Studios, Newcastle. 8:00pm. £12.00., £8.00.
Sat 09: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 09: Abbie Finn Trio @ Claypath Deli, Durham. 7:00pm.
Sat 09: Hayley's Little Big Band @ Middleton & Todridge Village Hall, Morpeth. 7:30pm. £12.00., £6.00.
Sat 09: Paul Skerritt @ Slaley Hall, Hexham NE47 0BX. 7:30pm. From £42.00.
5 comments :
Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!
This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.
If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?
Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.
The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.
However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.
Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!
At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.
Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?
Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.
Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.
For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".
What do other folk think?
I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.
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