Total Pageviews

Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18018 (and counting) posts since we started blogging 17 years ago. 339 of them this year alone and, so far, 17 this month (May 7).

From This Moment On ...

MAY 2025

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Gregory Porter + Jo Harrop @ Newcastle City Hall. 7:30pm. Support act: Jo Harrop!

Tue 13: ???

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Recital (stage 2): Leah Kirk (voice) @ The Band Room, Music Studios, Assembly Lane, Newcastle University. 3:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 14: Jerron Paxton @ Cluny 2, Newcastle. 7:30pm (doors). £24.20. Excellent country blues multi-instrumentalist.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. BACK IN BUSINESS, all welcome!

Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: The Greatest in Jazz - Guitarists.
Thu 15: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 15: New Ways of Moving in the Counterworlds @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). John Garner & John Pope.

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Sophie Speed with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 16: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 16: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 16: Giles Strong Quartet @ Longframlington Memorial Hall. 7:00pm (doors). Tickets: £12.00. from 01665 570984.
Fri 16: Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00.
Fri 16: Peter Donegan & Anthony Donegan @ The Witham, Barnard Castle. 7:30pm. ‘Lonnie Donegan - The Stories’.

Sat 17: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 4:00pm. Free. Blues.
Sat 17: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:00pm. Tel: 0191 500 9494. £26.00 (inc. two course meal). Line-up: Jason Holcomb, Hannah Taylor, Alix Shepherd & Abbie Finn.
Sat 17: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 17: Archie Brown & the Young Bucks @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free. Rhythm & blues, Americana etc.
Sat 17: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Rockabilly, Western swing etc.

Sun 18: Jason Isaacs @ STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Ruth Lambert & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 18: Steve Summers Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, June 15, 2020

Telling it like it isn't!

Lee Mergener, in the April issue of JazzTimes, refers to a comment made by one of the former editors of the magazine, Mike Joyce, who said that what he'd noticed from being around music writers was that they often wrote one thing for their paper or magazine but then later at the bar would say something entirely different, when they were unafraid to show their real biases!

Food for thought there...
Lance

5 comments :

Russell said...

Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!

Lance said...

This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.

If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?

Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.

The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.

However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.

Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!

At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.

Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?

Ann Alex said...

Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.

Lance said...

Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.

For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".

What do other folk think?

Steve T said...

I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.

Blog Archive