For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.
December
Fri 20: Edison Herbert Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 20: Baghdaddies @ Cobalt Studios, Newcastle. 7:00pm. SOLD OUT!
Fri 20: Smokin’ Spitfires @ Platform 1, East Bedlington Community Centre. 7:00pm.
Fri 20: Pete Tanton’s Christmas @ 1719, Hendon, Sunderland. 7:30pm. CANCELLED!
Fri 20: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. SOLD OUT!
Fri 20: Abbie Finn’s Finntet @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 20: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.
Sat 21: Lindsay Hannon Quartet @ Central Bar, Gateshead. 2:00pm. £15.00. ‘Swinging with Christmas Songs’.
Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 21: Jackson’s Wharf Xmas Party @ Jackson’s Wharf, Hartlepool. 7:00pm. Free. Featuring the New ’58 Jazz Collective.
Sat 21: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.
Sun 22: Hot Club du Nord @ The Globe, Newcastle. 1:00pm. £15.00. + bf. Xmas party. SOLD OUT!
Sun 22: Red Kites Jazz @ Gibside Chapel, nr. Rowlands Gill. 1:00pm. Admission charge applies.
Sun 22: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 22: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Revolutionaires @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Superb rhythm & blues outfit.
Sun 22: Laurence Harrison, Paul Grainger & Mark Robertson @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Line-up TBC.
Sun 22: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music (musicians TBC).
Sun 22: Ray Stubbs R & B All-Stars @ Zerox, Sandhill, Newcastle. 7:00pm (doors).
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.
Wed 25: Wot? No jazz!
Thu 26: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free. TBC.
Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.
5 comments :
Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!
This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.
If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?
Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.
The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.
However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.
Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!
At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.
Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?
Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.
Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.
For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".
What do other folk think?
I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.
Post a Comment