Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Mon 10: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm.Free.

Tue 11: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Saturday, August 31, 2019

The Insanity of King Jazz


Thought the following excerpts below from a 1920s volume that belonged to a friend's grandmother would interest and amuse you.
Mike (Jamieson)
 ----- 
G. H. Clutsam (The Famous Composer).*

Jazz and Light Music

"It seems hardly possible that those of the public who derive their musical nourishment from either the stupid or the more exotic forms of jazz can appreciate the more normal types of music. But it may be!

... managers believe public taste to have been affected to such a radical extent by jazz that nothing else is required. I do not agree with this theory. There are still large numbers of people who hate the Negro music which was imported here from America a few years ago....

We have many composers who are capable of fine work, but the idea that the public wants nothing but jazz has become such an obsession that they cannot obtain a hearing....

I think the present phase will pass. The public will not continue indefinitely its admiration of the hectic, unsatisfying fare known popularly as jazz. The ear cannot permanently be tickled by infectious combinations of trite tunes (seldom the composer’s), hurting harmonies, and rhythmical vulgarities. The plague will inevitably die out, and its victims return to sanity.”
 ----- 
*George Howard Clutsam (1866-1951) was a pianist, composer, arranger and song writer, who wrote music criticism for The Observer between 1908 and 1918. The book intersperses writings by well-known musicians, singers, lyricists, composers and conductors with piano music of operettas and light music. One of them, “famous singer” Peter Dawson (1882-1961) wrote: “I think it would be an excellent plan to permit smoking at concerts....I am sure that....men, especially, would be more likely to attend.”

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