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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 10, 2019

CD Review: Blind Lemon Jazz - After Hours, the songs of James Byfield

Blind Lemon Pledge aka James Byfield (guitar/vocals); Ben Flint (keys); Peter Grenell (bass); Joe Kelner (drums) Marisa Malvino (vocals)
(Review by Lance).

Blind Lemon Pledge, probably isn't blind, but James Byfield - to give him his correct name - is as fine a blues/swing composer/arranger as anyone who never hung out on 12th St. & Vine or slept in a hollow log. 13 original numbers played by an excellent quartet, that bring to mind a Harlem club back in the '30s/'40s. Yes, it's after hours uptown, the sweet smell of weed, cheap liquor, a piano plays, a cigarette dangles from the pianist's mouth. A woman leans against the piano, split skirt, some cleavage and lots of lipstick - maybe even a gardenia in her hair - she  sings the blues and she means it even though it isn't all blues.

That's the image. The reality in 2019 is that the musicians probably don't smoke or drink and Malvino wears designer jeans and keeps herself covered up. That doesn't detract from the music which is quite delightful and stays just this side of earthy. Malvino has the voice to deliver Byfield's lyrics - they aren't all 12 bars but the mood is and the singer conveys that mood. On piano, Flint solos like he was playing on pre-bop 52nd St., bass and drums don't intrude and, as befits the title, relaxation is what it's all about.

As a bonus, on track 13, Byfield picks up his guitar and sings Blue Heartbreak. It's hard to conceive that before he took up music full time he was an award winning media designer and producer and one of the pioneer designers in computer graphics, working successfully in film, television, radio and print.

Who was it who said you have to live the blues to play the blues? Maybe in these times you just get the blues in different places...
Lance.
Released on July 1 and available via the usual suspects.

After Hours; If Beale Street was a Woman; Rich People in Love; How Can I Still Love You? Bobby's Blues; Livin' my Life With the Blues; You Can't Get There From Here; Moon Over Memphis; Ketchup Spaghetti; You Had me at Goodbye; Buddy Bolden's Song; Light's Out; Blue Heartbreak.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance