Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, August 21, 2019

CD Review: Rebecca Nash – Peaceful King


Nicholas Malcolm (trumpet); Thomas Seminar Ford (guitar, electronics), Rebecca Nash (piano, keyboards); Chris Mapp (bass, electronics); Matt Fisher (drums); Sara Colman (vocals); Nick Walters (electronics)
(Review by Hugh C)

Peaceful King is Rebecca Nash’s first release as leader, along with her band, Atlas.  She is joined in her long-time collaboration with Malcolm, Ford, Mapp and Fisher by vocalist Sara Colman.  

Peaceful King slowly appears out of the ether with atmospheric electronics by Nick Walters.  A groove is established on drums and bass and Nicholas Malcolm’s rich trumpet sound adds icing to the cake. The track has a positivity which is stated to be “a reaction to the current state of the world” - we certainly need some of that!  

Tumbleweed features an opening drum ‘n’ bass style riff (Nash hails from Bristol – purportedly the drum ‘’n’ bass capital of the world). The groove continues apace (this tumbleweed is moving fast!) with extensive keyboard contributions by Nash. 

Hot Wired features the vocals of Sara Colman with lyrics about a “sassy, feisty female”, keys, bass and drums supporting the melodic line, with extensive keyboard solos.  The song fades to electronic effects and after a brief track break Grace appears after electronic intro.  Colman here tells a story, after the manner of Joni Mitchell.  Dreamer apparently references the cyclic patterns of the late John Taylor, vocals again by Colman with extensive piano solos.

We now return to the purely instrumental.  Lokma features Seminar Ford on guitar, with long stretches of bass/piano interplay driven by Fisher’s drumming.  Little Light slows things right down,  Malcolm’s trumpet stretches over tinkling piano evoking a vast, prairie-like expanse, before drum, bass and guitar restore some confines of rhythm, preparing us for the driving, rocky feel of  Inishbofin inspired by a turbulent boat crossing to the Irish island of the same name.

Peaceful King,  pleasant listen and well executed  album, is available now on Whirlwind Recordings (WR4748).  Atlas can be experienced on tour as far west as Bristol (30 October), as far north as Birmingham (31 October), and also somewhere called London (20 November) where the album launch will be held at the Sebright Arms. 
Full details available on https://www.rebeccanashmusic.com/shows/
Hugh C

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