Francis Tulip (guitar); Ben Lawrence
(piano); Michael Dunlop (bass guitar); Matt MacKellar (drums)
(Review by Russell)
The train pulled into Hexham. What's
this? The Platform Bar was open for business! Three years and more in the
planning, ten days ago Matfen Brewery's micro pub opened its doors for the
first time. Several Tyne Valley commuters had called in for a swift half, the
temptation to join them was there but the Fox on West End Terrace
beckoned.
Trains, planes and automobiles, they
arrived from all four quarters - Birmingham, Durham, London (UK), Boston
(Massachusetts, USA) - to meet up with family and friends and play a few gigs
(and jam sessions) together. Two days on from a Jazz Co-op date the Francis
Tulip Quartet stopped off at Hexham Jazz Club to play a final gig on the band's
2019 'summer vacation' tour.
Hexham Jazz Club's August session
featured a return visit by the popular Francis Tulip Quartet. Last time the
place was busy, this time the place was busy. The set list mirrored that at the
Globe (Jazz Co-op HQ); Kenny Dorham, Mulgrew Miller, John Lewis' Milestones (no,
not the department store and not that Milestones, the other one,
composed by pianist John Lewis of MJQ fame), a sensitive Body and
Soul featuring Michael Dunlop's five-string bass guitar solo, the FT4
played a blinder. It helped that sound levels were lower than at the Globe, all
four instruments could be heard and an attentive audience showed its
appreciation for consistently good solo and ensemble work. An enjoyable first
set concluded with Joshua Redman's Soul Dance.
Wayne Shorter opened the second set -
well, the man himself wasn’t in Hexham but his influence certainly was with
four young musicians checking him out. Berklee student drummer Matt MacKellar’s
intro to Arthur Altman’s All or Nothing
at All maintained the high standard as punters settled down having recharged
their glasses (Theakston’s Light Foot). Time for a blues - Sonny Rollins’ Solid produced the evening’s highlight
with superb solos from band leader Tulip and the shy, retiring Ben Lawrence
(piano) as bassist Dunlop walked them through it with MacKellar playing, as the
great blues men and women would often say, ‘with a feelin’’.
Wayne Shorter’s Penelope took it down a notch with carefully crafted contributions
from Lawrence and Tulip topped off by Dunlop’s oh-so-quiet solo, all of which
was underpinned by MacKellar’s exemplary brush work. Hexham Jazz Club’s
regulars wanted more and Terrence Blanchard’s Breathless from the trumpeter’s current E-Collective project sent
them on their way.
Russell
4 comments :
Just a slight correction to your notes Russell. Breathless was the final piece and the encore - as at the Globe - was Hancocks' One Finger Snap; a highlight of both gigs as far as I could make out.
You're right Steve, clearly my note taking and memory aren't up to scratch.
It's your age.
What's that? Speak up sonny!
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