Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 22, 2019

CD Review: Tini Thomsen’s MaxSax – Shift


Tini Thomsen (baritone saxophone); Nigel Hitchcock (alto saxophone); Tom Trapp (guitar); Mark Haanstra (bass); Joost Kroon (drums) with guest Miles Bould (percussion).
(Review by Hugh C)

Tini Thomsen originally hails from Hamburg but more recently has been based in Amsterdam.  Shift is the third album released by MaxSax.  King of Diamonds sets the tone and hits the listener straight away with high energy performance over a driving rock-style beat from Kroon’s powerhouse drumming.  Shift features more of Hitchcock’s alto, but maintains the rhythmic drive of the opening track.  The Gospel Tune has a slower, more laid back (well, gospel) feel with interesting interplay between both the saxes and Trapp’s guitar.  Little Lily’s Shoe brings us back to driving four time.

Happy Segment Day is in a funkier groove, with subtle melodic effects from both alto and baritone horns.  Planet Funk (at least I assume this is the title of the 6th track despite what appears to be a typo on the CD cover where a “c” replaces the “n” of funk!) is the shortest track on the album at 1:38, but is probably the heaviest so far (in rock guitar terms that is).  Big Boys starts in a similar vein. It’s probably no surprise that these two tracks are from the pen of Tom Trapp, who also composed the first track.  The remaining tracks are Thomsen compositions.  Bitter Sweet Harmony benefits from Miles Bould’s impressive array of percussive implements imparting an Afro-jazz feel.  Petal#6  (jointly composed by Thomsen and Nigel Hitchcock)  is addressed to all MaxSax fans and is partly vocalised and partly “spoken” through alto and baritone saxophones.  Walk completes the CD.

This is certainly an interesting listen, with much to commend it.  The style of music leans toward the rock style, in both percussion and guitar terms.  There is however an overall jazz feel – mainly imparted by Thomsen’s baritone and Hitchcock’s alto - with a sprinking of gospel and other  influences.  The CD is issued on 393 Records (TTNCD-008) and is available now.  Tini Thomsen will be at Royal Albert Hall, London as part of Prom 64 “The Breaks” on September 6.

And...
...Joost Kroon will be appearing at a social club near you in the near future.
Hugh C

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