Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 22, 2019

CD Review: Tini Thomsen’s MaxSax – Shift


Tini Thomsen (baritone saxophone); Nigel Hitchcock (alto saxophone); Tom Trapp (guitar); Mark Haanstra (bass); Joost Kroon (drums) with guest Miles Bould (percussion).
(Review by Hugh C)

Tini Thomsen originally hails from Hamburg but more recently has been based in Amsterdam.  Shift is the third album released by MaxSax.  King of Diamonds sets the tone and hits the listener straight away with high energy performance over a driving rock-style beat from Kroon’s powerhouse drumming.  Shift features more of Hitchcock’s alto, but maintains the rhythmic drive of the opening track.  The Gospel Tune has a slower, more laid back (well, gospel) feel with interesting interplay between both the saxes and Trapp’s guitar.  Little Lily’s Shoe brings us back to driving four time.

Happy Segment Day is in a funkier groove, with subtle melodic effects from both alto and baritone horns.  Planet Funk (at least I assume this is the title of the 6th track despite what appears to be a typo on the CD cover where a “c” replaces the “n” of funk!) is the shortest track on the album at 1:38, but is probably the heaviest so far (in rock guitar terms that is).  Big Boys starts in a similar vein. It’s probably no surprise that these two tracks are from the pen of Tom Trapp, who also composed the first track.  The remaining tracks are Thomsen compositions.  Bitter Sweet Harmony benefits from Miles Bould’s impressive array of percussive implements imparting an Afro-jazz feel.  Petal#6  (jointly composed by Thomsen and Nigel Hitchcock)  is addressed to all MaxSax fans and is partly vocalised and partly “spoken” through alto and baritone saxophones.  Walk completes the CD.

This is certainly an interesting listen, with much to commend it.  The style of music leans toward the rock style, in both percussion and guitar terms.  There is however an overall jazz feel – mainly imparted by Thomsen’s baritone and Hitchcock’s alto - with a sprinking of gospel and other  influences.  The CD is issued on 393 Records (TTNCD-008) and is available now.  Tini Thomsen will be at Royal Albert Hall, London as part of Prom 64 “The Breaks” on September 6.

And...
...Joost Kroon will be appearing at a social club near you in the near future.
Hugh C

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