Bebop Spoken There

John Donegan: ''What you take in through your ears can come out through your fingers.'' (Notes to Which Direction October, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,057 (and counting) posts since we started blogging 18 years ago. 921 of them this year alone and, so far this month (Oct. 29) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 31: Saltburn Big Band + Durham Alumni Big Band @ Saltburn Community Hall. 7:30pm.
Sat 31: East Coast Swing Band @ Cramlington Village Club, Park View, Cramlington NE23 6QJ. 7:30pm. £10.00. (from venue).

November

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet w. special guest Donna Hewitt (tenor sax, clarinet)
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Sarah Heneghan Trio @ The Globe, Newcastle. 8:00pm.

Mon 02: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 03: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. guest tba
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.

Thursday, August 22, 2019

CD Review: Tini Thomsen’s MaxSax – Shift


Tini Thomsen (baritone saxophone); Nigel Hitchcock (alto saxophone); Tom Trapp (guitar); Mark Haanstra (bass); Joost Kroon (drums) with guest Miles Bould (percussion).
(Review by Hugh C)

Tini Thomsen originally hails from Hamburg but more recently has been based in Amsterdam.  Shift is the third album released by MaxSax.  King of Diamonds sets the tone and hits the listener straight away with high energy performance over a driving rock-style beat from Kroon’s powerhouse drumming.  Shift features more of Hitchcock’s alto, but maintains the rhythmic drive of the opening track.  The Gospel Tune has a slower, more laid back (well, gospel) feel with interesting interplay between both the saxes and Trapp’s guitar.  Little Lily’s Shoe brings us back to driving four time.

Happy Segment Day is in a funkier groove, with subtle melodic effects from both alto and baritone horns.  Planet Funk (at least I assume this is the title of the 6th track despite what appears to be a typo on the CD cover where a “c” replaces the “n” of funk!) is the shortest track on the album at 1:38, but is probably the heaviest so far (in rock guitar terms that is).  Big Boys starts in a similar vein. It’s probably no surprise that these two tracks are from the pen of Tom Trapp, who also composed the first track.  The remaining tracks are Thomsen compositions.  Bitter Sweet Harmony benefits from Miles Bould’s impressive array of percussive implements imparting an Afro-jazz feel.  Petal#6  (jointly composed by Thomsen and Nigel Hitchcock)  is addressed to all MaxSax fans and is partly vocalised and partly “spoken” through alto and baritone saxophones.  Walk completes the CD.

This is certainly an interesting listen, with much to commend it.  The style of music leans toward the rock style, in both percussion and guitar terms.  There is however an overall jazz feel – mainly imparted by Thomsen’s baritone and Hitchcock’s alto - with a sprinking of gospel and other  influences.  The CD is issued on 393 Records (TTNCD-008) and is available now.  Tini Thomsen will be at Royal Albert Hall, London as part of Prom 64 “The Breaks” on September 6.

And...
...Joost Kroon will be appearing at a social club near you in the near future.
Hugh C

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