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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16573 (and counting) posts since we started blogging 16 years ago. 466 of them this year alone and, so far, 12 this month (July 7).

From This Moment On ...

July

Fri 12: The Vieux Carré Hot 4 @ The White Swan, Main Road, Ovingham NE42 6AG. 12:30pm. Free.
Fri 12: John Settle @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00. Settle (vibes) w. Dean Stockdale, Mick Shoulder & Tim Johnston.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 13: Jazz Stage @ Mouth of the Tyne Festival. Free. Vieux Carré Jazzmen (12 noon); Trilogy of Four (1:35pm); Classic Swing (3:10pm); Archipelago (4:40pm).
Sat 13: East Coast Swing Band @ Tynemouth Metro Station. 1:00pm. Free. A Mouth of the Tyne Festival event.
Sat 13: Tyne Valley Big Band @ Prudhoe Riverside Park. 12:55-1:40pm. Free.
Sat 13: Michael Woods @ Cycle Hub, Ouseburn, Newcastle NE6 1BU. 1:30-2:30pm & 3:00-4:00pm. Country blues. An Ouseburn Festival event.
Sat 13: Vieux Carré Hot 4 @ The Beehive, Hartley Lane, Whitley Bay NE25 0SZ. 5:30pm. Free. Gig in the Secret Garden.
Sat 13: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.

Sun 14: OUTRI + Slowlight Quartet @ The Bandstand, The Sele, Hexham. 12 noon-2:00pm. Free. OUTRI is Ian ‘Dodge’ Paterson’s new solo bass project. ‘The Bandstand Sessions’.
Sun 14: Jazz Stage @ Mouth of the Tyne Festival. Free. Rendezvous Jazz (12 noon); Delta Prophets Trio (1:35pm); Abbie Finn Trio (3:10pm); River City Band (4:40pm).
Sun 14: MSK @ Tynemouth Metro Station. 1:00pm. Free. A Mouth of the Tyne Festival event.
Sun 14: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: Jamil Sheriff’s Five Gold Rings @ Queen’s Hall, Hexham. 3:00pm.
Sun 14: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 14: Lounge Lizards + King Bees @ The Tyne Bar, Newcastle. 3:00pm. Free. The Tyne Bar’s 30th anniversary, top class blues double bill.
Sun 14: Richard Herdman @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Nathan Lawson Trio @ The Black Bull, Blaydon. 8:00pm. £8.00. Blaydon Jazz Club.

Tue 16: Vieux Carré Hot 4 @ Victoria & Albert Inn, Seaton Terrace, Seaton Delaval NE25 0AT. 12:30pm. £15.00 (tel: 0191 237 3697). Summer BBQ in the Beer Graden.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger & Abbie Finn.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 17: John Pope & John Garner + Nisha Ramayya @ Cluny 2, Newcastle. 7:30pm (doors). £15.00. (£12.00. adv.). A Gem Arts Masala Festival event.

Thu 18 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 18: Theo Croker @ The Glasshouse, Gateshead. 8:00pm.
Thu 18: Brad Linde’s Continentals @ The Globe, Newcastle. 8:00pm.
Thu 18: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 18: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:00pm. Rhythm & blues.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Thursday, August 01, 2019

Malta Jazz Festival 2019 - Nights July 20.

(Review by Steve T)

Once I'd discovered there's a jazz scene in Malta, I found an album by Dominic and Benedict Galea called Mnajdra Jazz Suite, which seemed to achieve a spot-on blend of tradition and the future. On my next visit I found one called Tribute, to the pioneers of jazz in Malta, also featuring Dominic prominently.

One of the daytime acts at this year’s festival was Francesca Galea and the Saturday night opening set - led by Dominic - featured guitarist Karl Galea. Bit of a dynasty going on I assumed until enquiries to Francesca by one of the coffee and Campari set confirmed that Galea is a bit like Smith in England.

Nevertheless, it seems Dominic has been a big deal in Malta for years (and had a British band which once played the Malta Festival) - a bit like Paul Edis in the northeast - and he assembled a band of upcoming young musicians called the Dominic Galea Generation for the opening set of the final night.

It featured him on piano, Karl on guitar who, with Carlo Muscat on sax, provided great soloing throughout, a busy upright bass player in Dean Montanaro and subtle, un-intrusive, understated drumming from Manuel Pulis.

The set began with the band augmented by two young Maltese men reciting spoken word in Maltese, before going into a series of lesser known jazz pieces, including one by Wayne Shorter. Galea's (that's Dominic) introductions were entirely in Maltese and I don't know if this is how he always does it or was something of a political statement to take a stab at Brexit; who knows?     

Jazzmeia Horn was much anticipated and arrived onstage with a great pianist, bass player and drummer for an extended workout of a Betty Carter piece I didn't know, complete with vocal gymnastics, extended scatting, bird songs, animal noises and screeching. One of the afternoon crowd left claiming it was rubbish and I confess I found it excessive, but it settled down for the rest of the set, enhanced significantly by the arrival of seriously dreadlocked Irwin Hall on sax and flute.

Coming from a soul background, I'm not much of a fan of jazz singers, but Sarah Vaughan - perhaps the most soulful - is probably my favourite, and Horn delivered a track from an album Vaughan made with Clifford Brown, which I must check out. The rest of the set came from her debut album and the forthcoming follow-up, due out in August.

She's a good singer but not the most remarkable I've ever heard, though her scatting seems to me to be second to none, and I can't help feeling she's destined for big things.

Of course Kenny Garrett was a large part of the attraction this year; one of the greatest living jazz saxophonists and one of the most important jazz musicians on the planet right now. His quintet featured another brilliant pianist - Vernell Brown - taking the bulk of the soloing on the odd, brief moments Garrett took the horn out of his mouth.  

The set was essentially in two parts, slipping seamlessly from post-Trane to his more recent forays into funk-jazz. The former was almost beyond belief, especially when it went down to just sax and drums - and he seems to have found his Elvin Jones in Sam Laviso - or when it went down to lone sax. Trane references came thick and fast and it's easy to imagine this is where he might have been had he played alto during his golden years. 

Life doesn't get better than this.

Part two left the hard-core jazzers a little disappointed but the rest elated, with me somewhere in-between; (dammit, I am a Lib Dem!). Think Maceo Parker with unlimited chops. 

I was happy with the change of direction but, with so much back-catalogue to choose from, I found it wasteful to play such an extended version of his recent Do Your Dance, complete with audience participation that almost everybody ignored.

Although it in no way spoilt anything, it was a shame because it had been a stunning set and a wonderful festival.     
Steve T 

1 comment :

Steve T said...

While I wouldn't normally recommend Blues and Soul mag even to soul folk, much less jazz people, the current issue has reviews of both the Malta Jazz Festival and the jazz and soul Love Supreme Festival.
If this was an off-night for Kurt, bring on the Northern Rock Foundation Hall on 28th, but I suspect that may be symptomatic of what's wrong with B + S these days.

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