Total Pageviews

Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 01, 2019

Jam session @ The Black Swan - April 30

Mark Williams (guitar); Paul Grainger (double bass); John Bradford (drums) + James Metcalf (trumpet); John Rowland (tenor sax); Graham Easthope (tenor sax); Francis Tulip (guitar) 
(Review by Russell/Photos to follow)

A couple of old hands, a couple of student hotshots, otherwise it was a quiet night. This week's Black Swan jam session began quietly and, for the most part, continued that way. Piano-less house trios invariably result in restrained affairs and on International Jazz Day the booters, honkers and rip-it-up merchants stayed home. 

Tyne and Wear's Metro system experienced yet more disruptions to service which perhaps accounted for the relatively low numbers in town as Messrs Williams, Grainger and Bradford opened with I Should Care. Guitarist Mark Williams exudes class and his early appreciation of 'new boy' John Bradford gladdened the heart. Lynchpin bassist Paul Grainger adopted his usual station in the middle of the action, periodically calling sitters-in to the stand.  

How High the Moon then It's Almost Like Being in Love stirred James Metcalf. Our Nottingham-based student, home for a few days, blew fine trumpet...he's been in the woodshed, no question. Old hand John Rowland looked to inject some umph into proceedings with his bootin' Basie small group Kansas City style tenor which in turn encouraged fellow tenor horn Graham Easthope to  join him on Just Friends

We hadn't heard from Francis Tulip for a while due to a case of RSI. Now sufficiently recovered to play again - FT claimed he was short of practice...yeah, right! - the manager put him on up front in search of a winner and, sure enough, he came up trumps on There'll Never be Another You and again on Stella by Starlight.

Second set - PG had suggested they take five - Mark Williams gave a masterclass on Chick Corea's Windows and again on I'll be Seeing You. The sitters-in massed in the wings - the horns of Rowland and Easthope, young guns Metcalf and Tulip up for some more. Night in Tunisia suited all and all of a sudden it was almost time to go. And so they went, bebopping, the soloists sparking off one another. The next Black Swan jam is on Tuesday 14 May. If you can't wait that long then get along to the Dun Cow (Jesmond) tonight (May Day) to listen to the house trio (Stu Collingwood, Paul Grainger and Paul Wight) and any number of frisky May Day revellers, eight o'clock start.    
Russell           

1 comment :

Steve T said...

A piano-less trio on Jazz Day seemed a perfect opportunity to sabotage the metro. Payed off too. Although I only made the last hour, I may be a bit more inclined to jam sessions if they were a bit more like this, though I get that the venues need healthy bar takings to be able to keep putting them on.
More like a gig by a loose sextet, with horns coming and going. Triffic stuff.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance