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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, February 02, 2019

CD Review: Nick Hempton - Night Owl

Nick Hempton (saxes); Peter Bernstein (guitar); Kyle Koehler (Hammond B3); Fukushi Tainaka (drums).
(Review by Lance).

Recorded direct to tape at GB's Juke Joint in NYC on May 2 last year this does what the title implies - an imaginary walk on the wild side via the bars and clubs, the all-nighters, the shuffles and the boogaloos that have been the soundtrack of the city since the heyday of Lou Donaldson, Jimmy Smith, Brother Jack, Stanley Turrentine and many other legendary groove merchants.

Nick Hempton can hold his own in that exalted company. Gutsy tenor, soaring alto, six original compositions as well as individual takes on three gassers - After You've Gone bears comparison with Art Pepper, Sonny Stitt and other great alto players - whilst I'm a Fool to Want You has just enough edge to it cut it in any juke joint as this Long Island studio recording proves.

Apart from the occasional bravura flourish, this is meaningful playing. Like Dexter Gordon, Hempton makes every note count, and there are plenty of them. Bernstein is with him every inch of the way with his own solos matching those of the bossman. Bernstein is a fave of our boy Francis Tulip and I can see why. Koehler doesn't attack the B3 like so many organ grinders instead he caresses it with fingers and feet making the most of the many combinations of sound available. No need for a bassman when this guy's pedalling. On drums, Tainaka is discreet when discretion is called for and upfront when the heat is on. He's like the blast of air that lifted Monroe's skirt when she stood over the grating on the corner of Lexington & 52nd in the film The Seven Year Itch.

I thought I'd heard all the great Ellington ballads and now, maybe I have! It Shouldn't Happen to a Dream was recorded by "The Divine One" on her album Sarah Vaughan in Hi-Fi and featured Cannonball Adderley. This version may not have Sassy or Cannon but the four guys it does have more than make up for it - one of the all-time classic ballad performances.

Listen Hard, Speak Easy puts the boot in. Down home, greasy spoon, JD on the rocks, eggs over easy all visions that came to me as I lay in bed with the lights off imagining I was in a dive somewhere downtown. I may never get to New York again but, with this album, I'm halfway there.
Lance.
Night Owl; I Remember Milady's; After You've Gone; I'm a Fool to Want You; 10th St. Turnaround; Corner Bistro; It Shouldn't Happen to a Dream; Listen Hard, Speak Easy; Macao Mood.

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