Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Saturday, February 02, 2019

CD Review: Nick Hempton - Night Owl

Nick Hempton (saxes); Peter Bernstein (guitar); Kyle Koehler (Hammond B3); Fukushi Tainaka (drums).
(Review by Lance).

Recorded direct to tape at GB's Juke Joint in NYC on May 2 last year this does what the title implies - an imaginary walk on the wild side via the bars and clubs, the all-nighters, the shuffles and the boogaloos that have been the soundtrack of the city since the heyday of Lou Donaldson, Jimmy Smith, Brother Jack, Stanley Turrentine and many other legendary groove merchants.

Nick Hempton can hold his own in that exalted company. Gutsy tenor, soaring alto, six original compositions as well as individual takes on three gassers - After You've Gone bears comparison with Art Pepper, Sonny Stitt and other great alto players - whilst I'm a Fool to Want You has just enough edge to it cut it in any juke joint as this Long Island studio recording proves.

Apart from the occasional bravura flourish, this is meaningful playing. Like Dexter Gordon, Hempton makes every note count, and there are plenty of them. Bernstein is with him every inch of the way with his own solos matching those of the bossman. Bernstein is a fave of our boy Francis Tulip and I can see why. Koehler doesn't attack the B3 like so many organ grinders instead he caresses it with fingers and feet making the most of the many combinations of sound available. No need for a bassman when this guy's pedalling. On drums, Tainaka is discreet when discretion is called for and upfront when the heat is on. He's like the blast of air that lifted Monroe's skirt when she stood over the grating on the corner of Lexington & 52nd in the film The Seven Year Itch.

I thought I'd heard all the great Ellington ballads and now, maybe I have! It Shouldn't Happen to a Dream was recorded by "The Divine One" on her album Sarah Vaughan in Hi-Fi and featured Cannonball Adderley. This version may not have Sassy or Cannon but the four guys it does have more than make up for it - one of the all-time classic ballad performances.

Listen Hard, Speak Easy puts the boot in. Down home, greasy spoon, JD on the rocks, eggs over easy all visions that came to me as I lay in bed with the lights off imagining I was in a dive somewhere downtown. I may never get to New York again but, with this album, I'm halfway there.
Lance.
Night Owl; I Remember Milady's; After You've Gone; I'm a Fool to Want You; 10th St. Turnaround; Corner Bistro; It Shouldn't Happen to a Dream; Listen Hard, Speak Easy; Macao Mood.

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