Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, February 07, 2019

The nth quartet @ The Bridge Hotel, Newcastle – February 3

Corey Mwamba (vibes); Laura Cole (piano); Andy Champion (double bass); Johnny Hunter (drums).
(Review by Steve H/PHOTOS courtesy of Ken Drew)

Corey Mwamba has been a frequent visitor to Tyneside playing with a variety of bands. This nth quarter is a newly formed ensemble featuring some of my favourite players Laura Cole on piano, honorary Geordie Johnny Hunter on drums and full time 100% Geordie Andy Champion on double bass. Corey Mwamba is not just a fine technician on vibes but also a very entertaining performer who always seems to establish a great rapport with his audience.

However, he took a decision several years ago to hang up his mallets as far as live performances are concerned. So Sunday night’s gig with the nth quartet was the last time that we get to see him perform live (he will still be making music and sharing it digitally in his studio).


Corey explained at the start of the gig that as his retirement gets closer and closer he gets happier and happier so this gig was a celebration rather than a sad farewell. The first set was very structured and intense it was probably the tightest and least improvised of any Mwamba gig I had seen. Not to say it was all melody and saccharine a number based on Giant Steps emphasised the creativity of the quartet.


The second set was far livelier as opposed to the first which, if I dare to say, was a touch melancholic. By contrast, this set was full of life and exuberance with great empathy and commitment from all involved.  

A fitting finale to a great live career and the packed audience gave the band a rousing ovation at the gig's conclusion.  I for one will certainly miss Corey’s departure from the live jazz scene but I can only wish him every success and happiness in whatever direction his future career takes him.

Steve H.

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