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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 12, 2019

CD Review: Deborah Shulman - The Shakespeare Project

Debrah Shulman (vocals); Jeff Colella (piano); Larry Koonse (guitar); Abraham Laboriel/Chris Colangelo (bass); Bob Sheppard (reeds); Bob McChesney (trombone); Kendall Kay/ Joe LaBarbera (drums).
(Review by Lance)

Shakespeare has long provided inspiration for jazz musicians and filmmakers. The latter, in the film All Night Long, incorporated the saga of Othello in a modern setting incorporating Tubby Hayes, Dave Brubeck, Mingus and other jazz luminaries of the 1960s. In retrospect, Mingus would have been the perfect Othello. As it was, the music proved better than the film!


Ellington's Such Sweet Thunder will probably go down as the definitive jazz/bard mix and deservedly so. It's a gem and deserves its high ranking in the Ellington canon.

However, let's not forget that Shakespeare was a wordsmith and not a musician although he may have been capable of knocking up a tune on a virginal.

And it's the lyrics of his songs which are featured here just as they have done in the past.

Marian Mann, with settings by Arthur Young, recorded four of Shakey's songs with the Crosby Bobcats back in 1939 a couple of which are reprised here. In the early fifties, Cleo Laine recorded the same with the Dankworth Seven and, in 1964 Cleo, now Mrs Dankworth, recorded Shakespeare and All that Jazz - an album that is regarded by many as the ultimate take on what is, in my opinion, the combination of the world's greatest artforms - literature, theatre and jazz.

With such hard acts to follow, Deborah Shulman has taken a brave step and, in many ways, she succeeds. Just as Marian Mann set the ball rolling for Cleo to pick up and, via Duke's input, to run with, so Shulman has, at least, kept the ball in play.

I've compared the two albums again and again. Cleo's has the edge on the swingier numbers whilst Deborah will score with those who sometimes find Cleo's deep vibrato not to their liking although Deborah's ofttimes overdramatic approach, whilst in keeping with the material, can also jar but not enough to deny that this is such stuff as dreams are made on - The Tempest

Personally, I wouldn't be without either and this one also has some great solos!
Lance.

Summit Records DCD 793 - Feb. 22.
All the Worlds a Stage/If Music be the Food of Love; Blow Blow thou Winter Wind; Dunsinane Blues; Shall I Compare thee to a Summer's Day?; Who is Sylvia?; You Spotted Snakes; When to the Sessions of Sweet Silent thought; Sigh no more Ladies; Oh Mistress Mine; My Love is as a Fever; Our Revels now Are Ended.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance