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Bebop Spoken There

Tony Kofi: "I bought myself an alto saxophone and learned from mum's record collection Duke Ellington, Louis Armstrong, Doris Day" - (Jazzwise April, 2020).


The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".


In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.


As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, February 25, 2019

Musicians Unlimited @ Dormans Jazz Club, Middlesbrough - February 21

(Review by Ron H.)
The first of this year's "Guest Big Band Nights" featured the award-winning band from Hartlepool led by saxophonist Mick Donnelly.

Playing to a full house, the band began with a nice arrangement of the classic Ja-Da, followed by I Get a Kick Out of You with Paul Skerritt's lively style and fine voice. The Latin rhythm of Orilla Del Mar was perfectly set up on congas by Ernie Jackson and beautifully played by the band and an excellent solo from Sue Ferris on tenor sax.

A beautiful vocal from Jan SpencelayhMy Heart Belongs To Daddy - preceded a swinging version of High Maintenance (great solos from Mark Toomey alto, Bill Watson trumpet and Lady? on baritone sax). Paul sang the ever-popular Georgia on my Mind followed by a new number for the band Sister Sadie that included a nice bass solo from Adrian Beadnell.

Jan returned to sing The Very Thought of You, over a lovely big band arrangement. Sonny Rollins’ Doxy included a fine trombone solo from Neville Hartley. Paul sang Witchcraft before the first half was brought to a close with the Doc Severinsen arrangement of the old Basie signature tune One O' Clock Jump.

 The second set kicked off with one of my favourite blues - Things Ain’t What They Used to Be which had a nice guitar solo from Ian Bosworth and tenor from Sue Ferris.

Further numbers included The Best Is Yet to Come, with vocal by PaulClam Chowder and Jan remembering Billie Holiday with her own excellent version That Ole Devil Called Love. 

Mick Donnelly did the intro to Sentimental Journey, on soprano sax and then swapped to tenor for a tremendous up-tempo solo that delighted the crowd.

Other numbers were My Baby Just Cares for me, Paul vocal, the Sammy Nestico arrangement of Jersey Bounce, I Don't Know WhyJan vocal, and When The Saints Go Marching in, with great solos from Josh Bentham tenor and Bill Watson trumpet.

An up-tempo Misty, finished the second set in style with Paul's vocal and Sue's great sax playing hitting the spot. The audience demanded an encore - and got it - so the night ended with a rousing Sweet Georgia Brown.

This was a most memorable night of big band music at its best played to an enthusiastic audience. Many thanks go to the great musicians in the band (sorry I didn't get all the names) and to Mick for his leadership and amusing comments.

Thanks also to Tony White for looking after the sound system and to Dormans Club for their support with the Jazz Club.
Ron H.

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