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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: www.jazzcoop. A Jazz Co-op-Jazz North East co-promotion.

Wednesday, March 07, 2018

Daniel Levin (cello) + Squeteague @ The Bridge Hotel, Newcastle - March 4

Squeteague Graeme Wilson (saxes); Andy Champion (bass); Stu Brown (drums)
(Review/photos by Steve H)
What a fabulous night of improvised music the capacity audience experienced at The Bridge on Sunday night. Headliner Daniel Levin had not appeared in Newcastle since the ‘On the Outside’ festival of 2009 and one can only say his return to the North East was an absolute triumph.
The cello is one of the most beautiful of classical instruments able to evoke vibrancy and melancholy in equal measure; however, it is not commonly featured in the world of jazz compared to its smaller cousin the violin.  Why this is so I am not sure, but if there was a free jazz ambassador for this instrument Daniel Levin would surely be it. One of the joys of his performance was simply not knowing what was going to happen next, for there were classical, minimalist, free, gentle and ferocious sections throughout.
Levin seemed to employ every single part of the cello, sometimes several at the same time, as he plucked, bowed, tweaked and rapped the instrument. Anyone not in the room could have been forgiven if they had thought there was more than one player on stage. The effect was both riveting and mesmerising.
Levin also added his own unique percussion effects to proceedings. These included ‘cutting’ the air with his bows and the use of what I thought at first was his setlist. Several pieces of note paper were torn, rustled and shuffled to great visual and percussive effect.  A wonderful performance which I believe surpassed many people’s already high expectations of what the evening would deliver.
The interval saw the launch of a new career as Zoe Gilby turned auctioneer extraordinaire as she expertly auctioned off a Gina Southgate print of an original painted at the ‘On The Outside’ festival in 2009. The print featured not only Daniel Levin but also Andy Champion who was to perform with Squeteague in the second half of this double bill.
Squeteague came together in Glasgow in 2017 for a one-off gig but enjoyed it so much they decided to do it again. Jazz North East were happy to fulfil this desire. After the pyrotechnics of Daniel Levin, it took me a while to get into the set but once I did I thoroughly enjoyed this skilful and sometimes funky free improv combo. At the end of the Squeteague’s set Daniel Levin was asked to join the trio and what followed were two absolutely stupendous pieces of improvised music. At the conclusion of the performance, the audience seemed completely spellbound having been party to a memorable and life-affirming evening of contemporary jazz.
Steve H.

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