Total Pageviews

Bebop Spoken There

Freddie Gavita: "I first got into pedals when playing with Mark Fletcher's outfit Fletch's Brew. I felt with the line up I needed a bit of help" - (Jazzwise April, 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, March 24, 2018

CD Review: (Jon Shenoy's) Draw By Four - Framework.

Jon Shenoy (tenor/clarinet/bass clarinet/flute/alto flute); Sam Dunn (electric & acoustic guitars); Will Bartlett (Hammond B3); Chris Draper (drums/perc.)
(Review by Lance).
As to be expected, lots of groovin' going on. What else when there's a B3 in the middle of it all? Well, in this case, a whole lot more. Sure, the groove is in (Nite Trip) but so is the lyricism (Hand in Hand).
Shenoy displays a melodic sensibility that bears comparision with any of the great saxophone balladeers of yore. He also composed 7 of the 10 tracks as well as drawing out the emotional content of the Brian Wilson/Tony Asher pop tune, Don't Talk (Put Your Head on my Shoulder). Sam Dunn also does some musical loving on this one.
The groove is back in for Tomorrow's Worriers. Lots of repetitive riffs that, at times, made me think the 'virtual' needle was sticking then, just as I was about to give the Dansette a kick, Shenoy or Dunn would burst forth in glorious stereophonic sound.
My Horizon brings us back down. Reflective, languorous, a contemplation of the horizon, maybe a sunset, or maybe a more personal horizon. Quite beautiful.
Shenoy found inspiration for the 3-part Framework Suite in 3 paintings: J.M.W. Turner's Breakers on a Flat Beach; Colonsay Harbour by Gill Holloway and Winifred Knight's The Deluge. Justice is done to the paintings through Shenoy's musical vision and the portraits painted of the paintings by the soloists - they bring them to life.
The album is rounded off with a couple of strange choices: Marriage is For Old Folks, written by Leon Carr and Earl Shuman and recorded by Nina Simone. Shenoy and Dean don't do it any harm both kicking in with lusty solos whilst Bartlett and Draper keep the groove afloat. 
Finally, a further, much further, step back in time - in theory anyhow - with Arthur Schwartz' You and the Night and the Music. Bartlett puts the boot in, Shenoy runs with the ball and touches down. Arthur Schwartz turns over but only so he can hear it better. 
An album that promised much and delivered more. April 8 the band shoot up the M1 to play Seven Arts in Leeds then turn around and head back home stopping off at Kenilworth Jazz Club on April 9. There's also a couple of late-nighters at Ronnie's on April 20/21.
Lance.
Framework is released on March 30 on Jellymould Jazz JM-JJ029.

No comments :

Blog Archive