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Bebop Spoken There

Guy Barker: "You have to play it [the trumpet] every day or you just won't be match-fit." - (Jazz Rag, Winter 2019.)

Archive

Today Thursday December 12

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 12:00pm. Free.

Note earlier time for this week only!

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Evening

Jazz

Hot Club du Nord - Lubetkin Theatre, East Durham College, Willerby Drive, Peterlee SR8 2RN. Tel: 0191 518 2000. 7:00pm. £10.00. (£5.00. under 18s). 'Jazz at the Lubetkin'.

Gala Big Band - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £10.00. (£8.00. concs.). ‘Gala Big Band Does Christmas’.

Durham University Big Band - Dunelm House, New Elvet, Durham DH1 3AN. Tel: 0191 334 1777. Free. 7:30pm. ‘Jazzy Christmas’.

Indigo Jazz Voices - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. (£2.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Gus Smith (vocals); Dave Stansfield (tenor sax); Ted Pearce (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 09, 2018

Elkie Brooks @ Sage Gateshead - March 8 - Take 2

Elkie Brooks (vocal); Andrew Murray (keys); Rufus Ruffell (guitar); Brian Badham (bass guitar); Mike Smith (tenor sax/synth); Fraz Knapp (drums)
(Review by Ann Alex)
A great night indeed, as Lance said, with level 1 of Sage full, and Elkie giving about 150%. This lady can sing it all, ballads, rock, blues, soul, country, and I’m told that she also does a mean GASbook song, though there was no jazz in this gig. The voice is gutsy, bluesy, with long notes and much gospel style vibrato on some notes. She didn’t need backing singers as some clever electronic wizardry enabled Elkie to sing with herself, mostly as call and response, on some songs. She told us that she’d thoroughly enjoyed the evening and she meant it. She even apologised for the concert rescheduling, caused by throat problems. So we clapped along when encouraged by the drummer, and there was a standing ovation at the end of the evening. There was a touch of humour when an audience member shouted something which Elkie mistook as rude. She began to admonish the person diplomatically before a band member put her in the picture. ‘Get them up was what he’d shouted’ she was told.
Talking of the band, they were well up to their game and had many short solos. The drummer related well to the crowd, the sax was quite jazzy, the guitars flowed well, and the keys came into their own especially during the encore with a moving love song, with just voice and keys. Elkie appreciatively introduced each musician during her well-known song Pearl’s A Singer, then promptly picked up a tambourine herself.
Some of the songs featured were from her latest CD, Elkie Brooks – Pearls – The Very Best Of. I didn’t get the names of all the songs, which were not announced, but included was Do Right Man(?); Sunshine After The Rain; Fool If You Think It’s Over; To Make You Feel My Love; Gasoline Alley: Nights In White Satin; Lilac Wine; Love Ain’t  Something You Can Get For Free; Don’t Cry Out Loud; No More The Fool; Pearl’s A Singer. The second half of the show was louder, bluesier, with lively flashing lights – then suddenly a black stage. The audience demanded an encore, which was the love song with keys only (A Song For You?), then the whole band for Purple Rain; We’ve Got Tonight.
Another very successful Sage gig, thanks to Ms Brooks and her band.
Ann Alex

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