Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18336 (and counting) posts since we started blogging 18 years ago. 190 of them this year alone and, so far this month (Feb. 28), 90

From This Moment On ...

March

Sun 08: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 9:30am. School Section & Youth Section (all day). £10.00. (£20.00 weekend ticket). Day 3/3.
Sun 08: The 58 Jazz Collective @ Jackson's Wharf, Hartlepool. 1:00pm. Free.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: TRIO-SKW @ Queen’s Hall, Hexham. 3:00pm. Josh Savage (drums); Lucas Kelly (organ); Tim ‘Bim’ Williams (guitar).
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Trish Clowes’ My Iris @ The Globe, Newcastle. 8:00pm.
Sun 08: Durham University Big Band & Foot Notes @ Elvet Methodist Church, Durham. 7:30pm. £10.00., £8.00., £6.00. Big band & a cappella ensemble.

Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 09, 2018

Elkie Brooks @ Sage Gateshead - March 8 - Take 2

Elkie Brooks (vocal); Andrew Murray (keys); Rufus Ruffell (guitar); Brian Badham (bass guitar); Mike Smith (tenor sax/synth); Fraz Knapp (drums)
(Review by Ann Alex)
A great night indeed, as Lance said, with level 1 of Sage full, and Elkie giving about 150%. This lady can sing it all, ballads, rock, blues, soul, country, and I’m told that she also does a mean GASbook song, though there was no jazz in this gig. The voice is gutsy, bluesy, with long notes and much gospel style vibrato on some notes. She didn’t need backing singers as some clever electronic wizardry enabled Elkie to sing with herself, mostly as call and response, on some songs. She told us that she’d thoroughly enjoyed the evening and she meant it. She even apologised for the concert rescheduling, caused by throat problems. So we clapped along when encouraged by the drummer, and there was a standing ovation at the end of the evening. There was a touch of humour when an audience member shouted something which Elkie mistook as rude. She began to admonish the person diplomatically before a band member put her in the picture. ‘Get them up was what he’d shouted’ she was told.
Talking of the band, they were well up to their game and had many short solos. The drummer related well to the crowd, the sax was quite jazzy, the guitars flowed well, and the keys came into their own especially during the encore with a moving love song, with just voice and keys. Elkie appreciatively introduced each musician during her well-known song Pearl’s A Singer, then promptly picked up a tambourine herself.
Some of the songs featured were from her latest CD, Elkie Brooks – Pearls – The Very Best Of. I didn’t get the names of all the songs, which were not announced, but included was Do Right Man(?); Sunshine After The Rain; Fool If You Think It’s Over; To Make You Feel My Love; Gasoline Alley: Nights In White Satin; Lilac Wine; Love Ain’t  Something You Can Get For Free; Don’t Cry Out Loud; No More The Fool; Pearl’s A Singer. The second half of the show was louder, bluesier, with lively flashing lights – then suddenly a black stage. The audience demanded an encore, which was the love song with keys only (A Song For You?), then the whole band for Purple Rain; We’ve Got Tonight.
Another very successful Sage gig, thanks to Ms Brooks and her band.
Ann Alex

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