Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, March 04, 2018

CD Review: Bobo Stenson Trio - Contra La Indecision

Bobo Stenson (piano); Anders Jormin (bass); Jon Fält (drums).
(Review by Lance)
Piano trios are very much to the fore these days - just about every other CD that drops through the letterbox seems to be a piano, bass and drums unit albeit not an 'easy listening' combo although, in truth, the Swedish Bobo Stenson Trio is easy to listen to.
This, despite being recorded on the always challenging ECM label and featuring music by Bartok, and Satie alongside originals by Jorman, Stenson, Fält and others, the listener's comfort zone is rarely breached.

The trio's take on Satie's sombre Elegié has an underlying swing to it that still manages to retain the pathos of the original.
Delicate, searching, piano by Stenson, sound harmonic content from Jormin - whether pizzicato or arco the double bassist provides an equally important voice to the affair. Drummer Fält is subtle and unobtrusive. No crash, bang, wallop merchant he but a sensitive soul who is felt as much as he is heard. The exception to this is in his intro to Jormin's Hemingway Intonations where Fält produces some bell sounds (For Whom the Bell Tolls?)
Not quite the easy listen it first appeared to be, in fact quite demanding at times but, in the end, well worth the effort.
Lance.
Available on ECM 2582 5786976.

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