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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Sunday, March 18, 2018

Jonny Deps In Darlo! The Paul Edis Sextet @ OPUS 4 Darlington, March 16.

Adam Sinclair (drums); Mick Shoulder (bass): Chris Hibbard (trombone); Jonny Dunn (trumpet/flugel); Graeme Wilson (tenor/flute);  Paul Edis (piano).
(Review/photos by Jerry)
It was the best of times, it was the worst of times, the weather was unspeakable, the music was sublime. Welcome to Opus 4 and an all too rare gig by this sextet. A familiar face (and hat) was missing from the line up with Graham Hardy being replaced by a remembered face (from a gig in Crook in 2014), Jonny Dunn.
The opener, Out of Nowhere, with Jonny Dunn first up to solo, brought appreciative calls of “Yeah!” from the audience. It was the only standard of the evening, the other 12 tunes being originals – one each from Graeme Wilson and Graham Hardy with all the rest composed by the band-leader himself.
Hardy’s, The Pounce was the lively opener to the second set with our dep on first solo again. The piece has a great ending – a feature of many of tonight’s originals. I’m not keen on tunes which seem almost to peter out as though the composer had simply run out of ideas. Here, thanks to the immaculate timing of the musicians almost every tune ended with a snap, a surprise, a flourish. Exclamation marks, not rows of dots! Cue applause!

Wilson’s Brand New Mountain featured, unsurprisingly, a great sax solo and, in one of his moments in the limelight, some impressive hand-drumming from Adam Sinclair. Equally unsurprisingly – this being the final number – it ended to demands for an encore which were rewarded with an abbreviated but nonetheless infectious version of Administrate This. “Abbreviated” as everyone did “cameos” rather than solos. Abbreviated because it was late and, in the wee small hours, Graeme Wilson would still be driving back up to Edinburgh – an unenviable journey.
The Edis originals included “old” favourites but the majority were newer and, as yet, unrecorded tunes (at least 6, the nucleus for another CD, surely?). The complex Dorian Gray was followed by a stomping wake-up call in Blues for Dad featuring some scintillating piano and one of the aforementioned great endings. Such juxtapositions made for a pleasantly varied set-list. In the same way, the jaunty Mr. Hipster (nice finger-clicking, boys!) was followed by the quieter, “gospelly” It’s Been, It’s Gone, It’s Happened – one of the new tunes and an excellent one at that.
Every tune is engagingly introduced with explanations of whence it came: a pugilistically inclined Peer (Better Than a Punch in the Face); mam’s homespun Zen-Buddhism (It’s Been, It’s Gone….); a feline fancy inspired by a kitten (The Pounce) or a helter-skelter van ride with a well-intentioned but scary tour-guide/driver (Madeira). This last is another of the new tunes and featured Jonny Dunn on muted trumpet and Graeme Wilson on flute – a distinctive sound combination quite different to anything which preceded it.
A new ballad, Lost, had a fluttering, tremulous opening indicative of disorientation followed later by a tranquil, lyrical piano solo and a quiet solo piano finish. Muddle Through, another new one, featured a well-received bass solo by Mick Shoulder – one of five or six on the night – and some bluesy piano while Cluster Fluster was all about the horns, especially Chris Hibbard’s trombone with a fine solo.
Cluster Fluster, like Dorian Gray, is a title referring to music theory which is too complex for me. However, I do get the composer’s alternative take on it which is: “imagine looking at life through the lens of a drunken clown”! I picture a large man, funny yet sad in equal measure, striving to retain some dignity in a demeaning profession. In the tinkly piano bits he’s surprisingly light on his clown-shoed feet but the brassy chorus, wah, wah, wah, wah – keeps bringing him down. I know the feeling!
All in all, a great gig.

Jerry

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