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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 07, 2018

Daniel Levin (cello) + Squeteague @ The Bridge Hotel, Newcastle - March 4

Squeteague Graeme Wilson (saxes); Andy Champion (bass); Stu Brown (drums)
(Review/photos by Steve H)
What a fabulous night of improvised music the capacity audience experienced at The Bridge on Sunday night. Headliner Daniel Levin had not appeared in Newcastle since the ‘On the Outside’ festival of 2009 and one can only say his return to the North East was an absolute triumph.
The cello is one of the most beautiful of classical instruments able to evoke vibrancy and melancholy in equal measure; however, it is not commonly featured in the world of jazz compared to its smaller cousin the violin.  Why this is so I am not sure, but if there was a free jazz ambassador for this instrument Daniel Levin would surely be it. One of the joys of his performance was simply not knowing what was going to happen next, for there were classical, minimalist, free, gentle and ferocious sections throughout.
Levin seemed to employ every single part of the cello, sometimes several at the same time, as he plucked, bowed, tweaked and rapped the instrument. Anyone not in the room could have been forgiven if they had thought there was more than one player on stage. The effect was both riveting and mesmerising.
Levin also added his own unique percussion effects to proceedings. These included ‘cutting’ the air with his bows and the use of what I thought at first was his setlist. Several pieces of note paper were torn, rustled and shuffled to great visual and percussive effect.  A wonderful performance which I believe surpassed many people’s already high expectations of what the evening would deliver.
The interval saw the launch of a new career as Zoe Gilby turned auctioneer extraordinaire as she expertly auctioned off a Gina Southgate print of an original painted at the ‘On The Outside’ festival in 2009. The print featured not only Daniel Levin but also Andy Champion who was to perform with Squeteague in the second half of this double bill.
Squeteague came together in Glasgow in 2017 for a one-off gig but enjoyed it so much they decided to do it again. Jazz North East were happy to fulfil this desire. After the pyrotechnics of Daniel Levin, it took me a while to get into the set but once I did I thoroughly enjoyed this skilful and sometimes funky free improv combo. At the end of the Squeteague’s set Daniel Levin was asked to join the trio and what followed were two absolutely stupendous pieces of improvised music. At the conclusion of the performance, the audience seemed completely spellbound having been party to a memorable and life-affirming evening of contemporary jazz.
Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance