Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, March 27, 2018

45rpm Review: Detroit Bop Quintet - Two Birds

Dwight Adams (trumpet); Pete Mills (alto); Rick Roe (piano); Paul Keller (bass); Nate Winn (drums).
(Review by Lance).
Back in 1947, on December 21, the Charlie Parker Quintet went into the United Sound Systems in Detroit and recorded four tracks: Another Hair-do; Bluebird; Klaunstance & Bird Gets the Worm.
The quintet was in Detroit backing Sarah Vaughan at a local nightclub and, with a recording strike imminent, Savoy got the band into the nearest studio to beat the deadline. The tracks recorded that day by Bird, Miles, Duke Jordan Tommy Potter and Max Roach, in years to come, became legendary.
Another Hair-do and Bluebird were released as a single 78rpm on Savoy 961.
Jump forward 70 years during which time United Sound Systems had recorded many more famous names - John Lee Hooker, Jackie Wilson, Bob Seeger, The Rolling Stones, Aretha Franklin and Red Hot Chilli Peppers to mention but some.
They also recorded the Detroit Bop Quintet who recreated Savoy 961 - this time on a two-sided 45rpm disc (although my review copy is actually in CD format).
I'm unsure why! Don't get me wrong. Five very good musicians totally versed in the idiom who pay as a good a tribute to the masters as anyone could.
A tribute that actually does stand up well alongside the originals and, who knows? If I'd heard the Detroit Bop Quintet first...
Also, in this day and age, two tracks are hardly going to excite you like they would in 1947 before the advent of the LP. Perhaps if they'd recorded all four tracks from the session it may have been more appealing.
Having said all that, they're still two excellent sides.
Lance
Find out more/listen.

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