Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, March 27, 2018

45rpm Review: Detroit Bop Quintet - Two Birds

Dwight Adams (trumpet); Pete Mills (alto); Rick Roe (piano); Paul Keller (bass); Nate Winn (drums).
(Review by Lance).
Back in 1947, on December 21, the Charlie Parker Quintet went into the United Sound Systems in Detroit and recorded four tracks: Another Hair-do; Bluebird; Klaunstance & Bird Gets the Worm.
The quintet was in Detroit backing Sarah Vaughan at a local nightclub and, with a recording strike imminent, Savoy got the band into the nearest studio to beat the deadline. The tracks recorded that day by Bird, Miles, Duke Jordan Tommy Potter and Max Roach, in years to come, became legendary.
Another Hair-do and Bluebird were released as a single 78rpm on Savoy 961.
Jump forward 70 years during which time United Sound Systems had recorded many more famous names - John Lee Hooker, Jackie Wilson, Bob Seeger, The Rolling Stones, Aretha Franklin and Red Hot Chilli Peppers to mention but some.
They also recorded the Detroit Bop Quintet who recreated Savoy 961 - this time on a two-sided 45rpm disc (although my review copy is actually in CD format).
I'm unsure why! Don't get me wrong. Five very good musicians totally versed in the idiom who pay as a good a tribute to the masters as anyone could.
A tribute that actually does stand up well alongside the originals and, who knows? If I'd heard the Detroit Bop Quintet first...
Also, in this day and age, two tracks are hardly going to excite you like they would in 1947 before the advent of the LP. Perhaps if they'd recorded all four tracks from the session it may have been more appealing.
Having said all that, they're still two excellent sides.
Lance
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