Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, February 25, 2018

Nikki Iles Masterclass @ The Music Department, Durham University - February 24

(Review by Russell)
Pianist, composer and educator Nikki Iles arrived in Durham on a cold but bright winter’s afternoon. Students filed into the ancient concert hall in Durham University’s Music Department up on Palace Green as Dan Garel and Tristan Bacon made last-minute preparations to the stage set-up. As this Saturday afternoon masterclass was to be given by one of Britain’s finest pianists the availability of a Steinway was a plus point. At least three, maybe more, student pianists were in attendance keen to learn more about the art of jazz piano.
Dan suggested Nikki could, perhaps, begin by outlining her career to date and her current projects. From Leeds College of Music to the London jazz scene to teaching posts to working with a long list of stellar names, Durham’s 2017/18 student cohort was left in little doubt as to Nikki’s achievements and standing on the jazz scene. The theme of the afternoon was to be ‘improvisation’ and so it was but the masterclass would embrace more, much more than this. Nikki arrived by train, bringing with her three compositions for her students to examine; charts by Charles McPherson, Kenny Wheeler and Dave Holland.

The student rhythm section on the stage, the horn players in a broad semi-circle on the floor of the hall, Iles listened to the ensemble with all soloing on McPherson’s Primal Urge. A beaming Iles was fulsome in her praise: Great. You can all play! Having gauged her masterclass participants’ abilities Iles enthusiastically introduced the subject of harmony. Standing in front of a board (see photo) our guest proceeded to scribble down impenetrable (to the non-music student audience!) symbols. The Manhattan Project’s J. Robert Oppenheimer – known as the ‘father of the atomic bomb’ – sprung to mind. Would he have been able to keep up with this high-level stuff?! There was talk of triads, roots  and arpeggios, diminished chords, major this and minor that, gobbledygook to some, but not to our students, they were jotting down ideas or making mental notes as Iles, by now in full flow, scribbled some more. Quick, take a photo…see photo.

Dan Garel led the altos, Zach Fox played tenor. Who’s that on trombone? It’s Matt Jacobs! Durham University alumnus Jacobs, a first-rate pianist (Durham University Big Band, Matt Jacobs Trio), was in town to hook up with some of his old mates and here he was blowing a mean ’bone (see photo). Iles played little piano, preferring to let her students show what they could do. Iles’ enthusiasm did see things overrun a little! Moving on to a Kenny Wheeler chart (sadly, time constraints meant that  Dave Holland’s composition would have to wait for another day) Iles sat, briefly, at the Steinway to play a few bars with the ensemble. All present applauded and a smiling Iles appeared to be slightly embarrassed, eager to get on with matters at hand! At one point Jacobs asked to play piano. Illes happily accommodated his request and it took just a few seconds for our guest to realise just how good a pianist Jacobs is!   

One sensed Iles would have happily extended the masterclass into the early evening but, alas, all good things come to an end and it was at Dan’s suggestion that the afternoon close with a Q&A. A forest of hands shot up – questions asked, questions answered, Iles had been the ideal guest and a group photograph captured the occasion. In years to come those fortunate enough to be a part of Nikki Iles’ illuminating masterclass will look back on the day with fond memories.          

Russell

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