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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Tuesday July 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Gala Big Band w. ALAN BARNES: Strictly Come BRASSing - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £15.00. (£12.00. concs.). A Durham Brass Festival event.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 813983 (info). 8:00pm. £5.00. (inc. raffle). RCJ with Don Armstrong (clarinet, saxophone, penny whistle, vocals).

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SOLD OUT!

Zoe Rahman & Laura MacDonald - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192.. 8:00pm. £12.00. (£10.00. concs.). JNE.

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Northern Monkey Brass Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 19, 2018

Postmodern Jukebox @ Sage Gateshead - Feb 18

(Review by Russell).
The phenomenon that is Scott Bradlee’s Postmodern Jukebox rocked up at Sage Gateshead to play the third date of an extensive European tour. Sage One’s near-capacity audience loved the fast-paced two-hour show, the band playing straight through without a break. Simultaneously Post Modern Jukebox (PMJ) was touring coast to coast in America. How could this be? Simple, Scott Bradlee’s roster of musicians has grown to such proportions that it is possible to organise itineraries on two continents!

Charismatic frontman ‘Cunio’ (Michael Cunio) bounded onto the stage; shaven head, shiny suit,  shiny black Rat Pack cabaret shoes (no socks!). Our MC for the evening came right out with it… this was his debut tour with PMJ! The band cruising, Cunio produced all the moves, screaming, falsetto vocals, a touch of James Brown. Get on down, the revue was well and truly underway, non-stop action, the singers on and off stage, left and right, the band cruising.
Earlier in the month West End star Emma Hatton (Evita) went into rehearsals for this PMJ show and would feature extensively alongside fellow vocalists Dani Armstrong (aka Jack Dani), Brielle von Hugel and the larger than life Mario Jose. The PMJ’s setlist would be drawn from the huge pad of tunes amassed by Bradlee. Would we hear Miley Cyrus, Lady Gaga, Justin Timberlake?

Bradlee’s winning formula is in reworking popular tunes, presenting them in Jazz Age and swing era styles, with, at times, the familiar cleverly disguised, often until the hook. The band – rhythm section and horns – couldn’t have been tighter. Clearly rehearsed to the nth degree, solo spots were few and far between as this Sage Gateshead show was all about the singers, themselves submitting to first class choreography. Backstage costume changes were many with Jack, Emma and Brielle in and out of one slinky number after another as the band played on. Jack sang Sia’s From the Chandelier bringing the house, if not the ornate light fitting, down. Brielle von Hugel’s vocals on PMJ’s All About That Bass YouTube hit just about won a standing ovation from Sage Gateshead’s by now jumping crowd.      

Chloe Feoranzo, all of five feet nothing, blew great tenor and clarinet from behind her PMJ Jazz Age music stand, and, on one number, sang like an angel! Fellow horn player, Berklee graduate,  trombonist Lemar Guillory, matched Feoranzo’s abilities as the pair of them had a ball. The duo’s feature spot found the horns stepping down into the packed stalls, blowing as they walked up the aisles. As Chloe approached row P your reviewer’s companion for the evening engaged in brief conversation with our dancing saxophonist. They had met at a jazz festival in America and here they were (almost) high-fiving at Sage Gateshead!

You Give Love a Bad Name (Bon Jovi), Seven Nation Army (The White Stripes), some Maroon 5, Cab ‘Hi De Ho’ Calloway segueing into a searing Thriller, throw in a jazz tap masterclass from Lee Howard, PMJ had the audience in the palm of its twelve-strong collective hand. And, you say, just where was the Main Man, Mr Scott Bradlee? Probably home in the US of A, quite possibly on tour with his many other Post Modern Jukebox musicians. Bradlee or not this Sage Gateshead concert was a show and a half. Cunio and co promised to return and when they do, be sure to be there.     
Russell

Michael Cunio (MD, vocals); Dani Armstrong (vocals); Emma Hatton (vocals); Mario Jose (vocals); Brielle von Hugel (vocals); Chloe Feoranzo (tenor saxophone, clarinet & vocals); Lemar Guillory (trombone); ? (guitar & banjo); ? (piano); ? (double bass & bass guitar); Martin Diller (drums) & Lee Howard (jazz tap dancing)     

                 

3 comments :

Lance said...

Seems like they had an apres gig jam at the Prohibition Bar!

Patti said...

Maybe if any of the Blog readers were lucky enough to catch this jam session, they can post comments for us!! I bet it was a fantastic night ..... and I'm still kicking myself that I missed it!

Lance said...

You can check it out on Prohibition Bar's Facebook page.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance