Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, February 19, 2018

Luís Vicente (trumpet); Olie Brice (bass); Mark Sanders (drums) – Jazz North East @ the Bridge Hotel - February 11

(Review/photos courtesy of Ken Drew) 
This is more of a photo-review than full review, but this performance deserves a mention, not least because it's the first time Jazz North East has had a visiting musician from Portugal.   Also, as the first of a two-venue-only visit to the UK (two days after meeting at The Bridge,  they played the Vortex in London)  Luís Vicente is playing for the first time in the UK  with Jazz North East favourites Olie Brice on double bass and Mark Sanders on percussion. 
So, all three are well established in their own right, but what kind of fireworks could be expected?  The pre-performance info was true to form:  "Like so many leading young players, Vicente has absorbed the languages of free jazz and more structured forms and moves seamlessly between the approaches”;  American critic Ken Waxman has written that "His brass sensibility calls upon the free playing of Don Cherry and the free bop of Freddie Hubbard in equal measure.  Vicente also shares with others of his generation an open sensibility that regards musical compatibility through his many European collaborations.  The three of them have common ground in working at continental festivals, but this gig is part of their first ever UK tour as a trio, providing a wonderful opportunity for the Newcastle audience to be introduced to one of the rising stars of not just Portuguese or European, but of world jazz."
And so it was!  All three established a strong rapport from the off, each gave superb demonstrations of their mastery of their respective instruments, and combined perfectly to produce a wonderfully seamless sonic performance. Two very intense but engaging sets, with three world-class improvisers, right on our doorstep!  Just what it said on the tin!!

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