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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, February 17, 2018

Crooners - Whitley Bay Playhouse - February 16


Roman Marek, Jim Whitley. Phil Barley (singers).
Chris Hibbard (trombone); Jon Hibbard (alto); Jim Corry (alto); Simon Kaylor (tenor); Damian Bell (trumpet); Daniel Hammerton (trumpet); Jason Scott (piano); Paul Baxter (bass); Dave Hockman (drums).
(Review by Lance).
A fun evening packed with pratfalls, bawdy humour, fine singing and a stonkingly good band. The band were deserving of a feature, perhaps in the form of an overture; all good musicals have an overture* and, on the strength of the occasional short solo these guys, co-led by the Brothers Hibbard, were well up to the task.
The three singers did the job effectively being themselves or, as the occasion demanded, Frank, Dean and Sammy.
The plot was slender to nonexistent - the last three crooners in the world discovered in the sleepy hamlet of Whitley Bay (next week Billingham). Michael Bublé was mentioned but he didn't count as he was Canadian. Although the fine auditorium wasn't full -"Fancy all these people coming dressed as empty seats" quipped one of the stars - those present had a ball.
Apart from the solo features most of the numbers were in trio form with the crooners seamlessly switching the lyric between them. Whitley and Barlow also did some fancy hoofing on Cute.
One minor irritant was 'the business' during the vamp till ready intros which invariably went on too long making this listener impatient for the song to begin. Fly me to the Moon in particular springs to mind.
However, a mere fly in the ointment of the overall picture which was one of great songs beautifully sung and played and a lot of humour.
Catch them when you can.
Lance.
How Do You Do; Come Fly With Me; You Make me Feel so Young; My Kind of Girl; How Are Ya' Fixed For Love?; L.O.V.E; Give me the Moonlight; When You're Smiling; You're Awful; Cute; Nice and Easy; Blues in the Night; As Long as I'm Singing; Ain't That a Kick in the Head?; Mr Bojangles; Fly me to the Moon; It Had to be You; I Get a Kick Out of You; On the Street Where You Live; The Lady is a Tramp; I'm Gonna Live Till I Die; Mack the Knife; The Curtain Falls.
*Blues in the Night which opened the second half was close to being an overture with some fine tenor sax from Simon Kaylor.

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