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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Michael League: "We flew back from Europe, and the second gig we [Snarky Puppy] did was in Arcata, California. There were two people. And one of them was the bartender." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14836 (and counting) posts since we started blogging 14 years ago. 1085 of them this year alone and, so far, 84 this month (Nov.28).

From This Moment On ...

November

Tue 29: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Alan Law, Paul Grainger, Rob Walker.

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 30: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 30: 4B @ The Exchange, North Shields. 7:00pm.
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

December
Thu 01: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 01: New York Jazz Night feat. Zoë Gilby @ The Keys, Yarm. 7:00pm. £30.00. (inc. meal). Tickets from Skiddle. Gilby w. Noel Dennis, Mark Williams & Andy Champion.
Thu 01: Bold Big Band @ The Cluny, Newcastle. 8:00pm. Cluny 2.
Thu 01: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 01: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 02: Swing Manouche @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 02: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 02: Helen Walker (French horn/trumpet) & Caroline Guirr (piano) @ St. Andrew's Church, Corbridge. 2:00pm. Duo concert by two members of 'The Wild Women of Wylam'. Part of the annual Christmas Tree Festival.
Fri 02: Durham University Big Band + Durham University Jazz Orchestra @ Kingsgate Bar, Durham Students' Union, Dunelm House, Durham. 7:00pm. £3.00. & £2.50. Fundraiser for Coppafeel.
Fri 02: Niffi Osiyemi Trio @ The Vault, Hexham. 7:30pm.
Fri 02: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. Xmas party.
Fri 02: Struggle Buggy's Almost Xmas Party @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.

Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Tuesday, February 27, 2018

Didier Lockwood @ Grand Hotel, Lund, Sweden – November 4, 2017.

Didier Lockwood (violin), Adrien Maignard (guitar).
(Review by JC)
On a trip to Sweden late last year to visit an old friend, I spent a few days in the beautiful old university city of Lund in the south of the country. Near the station there is a fine building, appropriately named the Grand Hotel, with large elegant chandeliers, a distinctive staircase, much-polished wood and many brass fittings with smartly dressed staff. Even though Lund is a fairly small place, as luck would have it during my stay the hotel was hosting a musical event called Grand Soul & Jazz. Sweden, of course, has a long and distinguished jazz history with many of the top American musicians of the 50s, 60s and 70s touring Sweden and some like Don Cherry, Red Mitchell and George Russell made their homes in the country (with Dexter Gordon nearby in Copenhagen).

Although the programme was in Swedish I could see it featured several different styles of music, including jazz, soul, blues and hip-hop, however the only name I recognised was that of Didier Lockwood - but only because I had heard of him, not actually heard him play. The structure of the event was that a number of performances took place simultaneously and the artists played two sets so that, with a little planning, you could wander from room to room and hear most of the musicians and bands.  A little advance research had discovered that, as a jazz violinist, Lockwood was an early follower of Stephane Grappelli but was also keen on Jean-Luc Ponty, so he certainly covered the two ends of the jazz violin spectrum.
Picking up part of his first set, it was clear he was a very fine player in the Grappelli improvised style (not so much Hot Club, although he had a very good guitarist with him) and also an entertaining conversationalist. And as promised, he went quite 'Jean-Luc' in the second set, playing a small electric violin with much electronic gadgetry, loops and pedals, etc. On these instruments, he again displayed his excellent musical and technical ability but after about half an hour my friend and I felt we had had an 'ample sufficiency' (as my grandmother used to say) and moved upstairs to hear the soul band. This was not a criticism more a personal preference.
Having heard of his recent untimely death, I am pleased that I had the opportunity to hear him play live and would have liked to have heard him again maybe in a more intimate jazz club setting. Sadly this is not to be.
JC.

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