Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Community Hall. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, November 06, 2017

CD Review: Sinne Eeg - Dreams

Sinne Eeg (vocal); Jacob Christoffersen (piano); Larry Koonse (guitar); Scott Colley (bass); Joey Baron (drums).
(Review by Lance).
Considered the pre-eminent jazz vocalist in Scandinavia, Danish singer Eeg and fellow Dane Christoffersen touched down in Brooklyn and teamed up with three top names on the American jazz scene to record an album that will serve well her ambition to achieve wider recognition on the world stage - a stage that's already overcrowded with female voices. 
Nevertheless, Eeg has the voice for it. Swings lightly, scats gently, takes liberties with the melody, but no more than say Anita O'Day or Sarah Vaughan did and, on top of that, she wrote 6 of the 10 songs, one in cahoots with Mads Mathias - Head Over High Heels. There's also a couple of Cole Porter's (What is This Thing Called Love? & Anything Goes), Rodgers and Hart (Falling in Love With Love) and De Paul and Raye chip in with I'll Remember April. Eeg's songs hold up well alongside those by these GASBOOK GANG heavies.
Aleppo is perhaps the most poignant song I've ever heard. Recent events in Syria provide the background - no! the foreground - to this heartrending saga of man's inhumanity to man and the devastating effect on children unable to comprehend the world they've been born in to. Just as Strange Fruit was, back in the 1930s, Aleppo is as much a social commentary as it is a song. I'm fighting back the tears as I type. (See video below).
I'll Remember April lightens the gloom with some relaxed scatting and Larry Koonse contributes a delicate solo.
Anything Goes swings along with nice piano by Christoffersen, more scatting and some new lyrics by the singer:
There was a time when talent mattered 
when singers were being flattered 
on TV shows, 
now anything goes.
And so on...Take it from me - talent matters here and Sinne Eeg has it in abundance.
Available December 1 on Stunt STUCD17112 with UK distribution by Discovery.
Samples.
Lance.
Video.

6 comments :

Holly Cooper (on F/b). said...

Thank you, Lance! Beautiful review, and I agree about Aleppo's poignancy.

Ann Alex said...

Lance, I want to take issue with you over the issue of female voices, otherwise women singers. Why are there too many? Surely the more the merrier. It seems to me that there are loads of sax players, but I would never say too many, and neither would you, so why pick on women singers?

Russell said...

Ann, female voices are 'ten-a-penny'. This shouldn't be read as a criticism, merely an observation. There are relatively few male singers. One could ask the question: Why is this? But a much more interesting question is: Why are there so few female instrumentalists? Look no further than sexism.

Anonymous said...

Russell I think the phrase 'ten a penny' does sound like a criticism, quite a put down. I think there are more women singers for reasons to do with the history of jazz. I wish there were more male singers and more women instrumentalists and you are right that it's possibly to do with sexism. Ann

Russell said...

Ann, tenor players (invariably male), are 'ten-a-penny'. That isn't a put down. More male vocalists? I agree, that would be great but don't hold your breath, sexist stereotypical roles will prevail for sometime yet.

Lance said...

I've just added the Aleppo video which transcends the other comments.

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