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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

August

Thu 01: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 01: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 01: Elsadie & the Bobcats @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 02: Mainly Two @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT! Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Pete Tanton’s Chet Set @ Saltburn Community Hall. 7:30pm. POSTPONED!

Sunday, November 05, 2017

The Julija Jacenaite Trio @ The Globe: November 4

Julija Jacenaite (vocals, shakers); Steve Glendinning (guitar); Paul Grainger (bass)
(Review by Ann Alex/Photo courtesy of Huang Wei Ting)
This is my Gig Of The Year, no question about that. It was a brilliant performance by Julija, who also brought out the best from the musicians, who are among the best anyway. I’d seen this lady give great performances at the Jazz Cafe Tuesday jams, dramatic, soulful renditions of songs with which she wowed the audience, but tonight the full force of a totally engaging personality was revealed. Not only did she give wonderfully inventive versions of the songs, but she had the audience joining her in a couple of choruses, she mentioned many audience members by name, she told us all that she was grateful to be performing for us, and she added humour to some song interpretations, even causing Paul to be somewhat embarrassed in a fun way. I’ve rarely seen such effective musical chemistry as there was between Steve on guitar and Julija’s vocals. I feel sorry for people who weren’t present last night, especially women singers, who could learn loads from watching the performance.
The trio was even colour coordinated, all in black except for Julija’s blue hat. The songs included:
Masquerade; a voice with some similar tones to Billie Holiday, and with a big range and every word crystal clear, lots of playing with the words and scatting which fitted well, not just there for its own sake.
Angel Eyes; Very soulful, with Julija’s left hand moving as if playing an invisible sax. (She actually plays piano, don’t know about sax).
Aqua Bebe; In Portuguese (I think), she beats out the rhythm on the side of the bass, Paul embarrassed but pleased, the audience joins in the chorus.
Lia (this means rain in Lithuanian and I should have checked the spelling), her own song, all about the rain in her homeland.
Storm; an original with lyrics written by a friend of the singer.
Mood 3; an original in English, a love song, with whispered scat.
And I forgot to mention that Paul and Steve had loads of space for long solos in many songs, which they fulfilled well.
Second Set
One Note Samba and Cry Me A River; the latter is like Summertime, sung too often, but our singer managed to make it sound fresh.
All Of Me; such fun, Julija pointing to Paul for the low bits and to Steve for the high, such humour and a bit of embarrassment.
There’ll Never Be Another You; slow and sweet, then fast, then morphing back into the previous song, to the surprise of the musicians I suspect, but they could cope!
Mood Indigo; very slow, she gets down, almost kneeling, very expressive, but didn’t take herself too seriously.
I left the room for what the Americans call a comfort break and returned to find the audience singing along with something that seemed to be Lithuanian (Lyja).
What A Wonderful World; the ‘straightest’ performance of the gig, sung sincerely, and she told us about childhood memories of the song, which turned her on to jazz singing.

The audience then demanded an encore which I missed as the Metro was calling me home.
If you weren’t there, you’ve missed a Gig Of The Year. Need I say more?
Ann Alex

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