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Bebop Spoken There

Jeff Coffin: "I'm trying to find a creative way of being creative." - (DownBeat June 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,348 (and counting) posts since we started blogging 13 years ago. 766 of them this year alone and, so far, 40 this month (June 11).

From This Moment On

JUNE

Sun 13: Charlotte Keeffe Quartet @ The Globe, Newcastle. (8:00pm). £10:00. Advance booking essential at: www.jazz.coop.

Wed 16: Washboard Resonators @ Punchbowl Hotel, Jesmond, Newcastle (8:00pm). SOLD OUT!

Thu 17: Vieux Carré Jazzmen @ The Holystone, North Tyneside (1:00pm).

Thu 17: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 18: Jazz Jamaica @ Sage Gateshead (8:00pm).

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20 Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm).

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm).

Wednesday, November 22, 2017

Thundercat @ O2 Glasgow - November 14

If the West Coast Get Down is a modern-day P Funk, Thundercat is clearly Bootsy Collins, though on stage he looked more like some glitter rock throwback. While all the P Funk bands essentially played funk, there was inevitably loads of jazz, oodles of rock and no small amount of silliness, which belied the undeniable musicality of it all.
The West Coast Get Down, of which Thundercat is an affiliate member, incorporates hip-hop, which is more or less equal parts P Funk James Brown, street funk, reggae DJing and, apparently Gil Scott Heron, jazz, and modern production techniques.
It's an oversimplification to accuse Thundercat of producing pop-funk but it's essentially song-based music but there's plenty of jazz in there too, though more the fusion varieties, rock and funk. Many of the songs went into very intricate freaked out free-form jams which hung together as if by magic. The drummer operated at full pelt throughout and the keyboardist wasn't far behind, with a violinist getting sounds prog rock and Jazz-rock fiddlers could never have imagined in the early seventies.
The man played a six string bass and also stretched it way beyond Larry Graham, Bootsy, Stanley Clark and Jaco, but with the funk only coming through intermittently, and I thought a relentless get down would have been nice.
His voice was actually better live than on record, especially on Marvin Gaye style forced falsetto, though apart from 'awesome' and his increasing use of the f word, I couldn't really understand anything, either spoken or sang, which seems to be a feature of O2s.
My favourite Thundercat track is Oh sheit it's X and I was beginning to think it isn't rated by the faithful when he played it last before returning for an encore of two more songs.
The place was full of studenty types, too cool for the latest guitar bands, and a few oldies desperately trying to hang on to some long lost semblance of cool. though we managed to find some seats with a direct view of the stage.
You travel to Hull to see an artist many consider one of the worlds leading guitarists and one of the greatest living jazz artists, and you travel to Glasgow to see the latest 'new hope' but a better night than either was had on the doorstep by two quartets of local alleycats paying tribute to a pair of giants.
That New Dawn I still live in hope of hasn't quite broken yet.
Steve T.

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