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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Thursday, November 02, 2017

Joy Ellis Quartet @ Empty Shop, Durham - October 29.

Joy Ellis (keys, voice), James Kitchman (guitar), Henrik Jensen (bass), Adam Osmianski (drums).
(Review by Steve T) 
Another short un (hurrah). Definitely wanted to do this after Lance reviewed the album, which Ms. Ellis was thrilled by, and when I saw some of the musicians featured, not least Rob Luft and Binker.
My mission was to try to get to this and Hoochie’s SOSA, but a last minute decision to do them the other way round landed me in traffic gridlock due to the five hundred and ninety ninth month anniversary of the Freedom March.
This meant I got a little Sam Dees, a touch of Randy Brown and a slice of Betty Swann (and if these names mean anything to you at all you should be in the Empty Shop this Saturday) and the second half of Joy Ellis.
I was expecting a trio so a quartet was a happy surprise and not at all disappointing that the guitarist was not current whiz Rob Luft, but Hexham born/London based James Kitchman, who acquitted himself brilliantly.
The lady is amiable and classy on and off the stage (floor), clearly knows her way around a keyboard and it was refreshing to have a singer who isn't trying to emulate her black forebears. In fact, her music owes a lot to folk as well as Jazz and there's definite hints of prog rock in the juxtaposition of light and shade with Kitchman’s guitar effects.
The two more or less shared the soloing with an obvious rapport between them. He displays an acknowledged debt to James Birkett in his use of chords, and Mark Williams in his rock/pedals effects - two of his tutors back home.
Bass only took one solo in the second set and was all the better for that. I'd been warned to expect a serious level of musicianship, even without Luft, and they hadn't lied.
I believe the set was all original, though not all from the album and Ellis clearly knows how to write too, alternating vocal tracks and instrumentals, all with equal skill and aplomb.
Not a great turnout, bubbling around under twenty, but I guess four in the afternoon is a tricky spot.
Steve T. 

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