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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 21, 2017

The Early Bird Band + Paul Edis @ Blaydon Jazz Club - November 19

The Early Bird Band: James Metcalf (trumpet & flugelhorn), Alex Thompson (alto saxophone), Ryan de Silva (baritone saxophone), Ben Lawrence (piano), Alex Shipsey (bass & double bass) & Dylan Thompson (drums) + Paul Edis (tenor saxophone & flute)
(Review by Russell/Collages courtesy of Roly & Jerry)
What’s that about police officers looking so very young? Arriving at the Black Bull the average age of those on the premises plummeted due to the fact that six young musicians were about to play a gig in the Sunday evening jazz lounge. More than one of the sextet isn’t yet eligible to cast a vote at a General Election (one could be just around the political corner), and the band’s MD, Paul Edis,  can hardly be described as a veteran musician/educator (that’s way into the future).
Most members of the Early Bird Band (there are others) made the gig, so they played it as a sextet. Trumpeter James Metcalf stepped up to the plate to take a first, possibly nerve-wracking, solo. JM did just fine, and, to his left, Ryan de Silva followed up with a confident baritone sax solo on Sandu.
MD Edis, technically making it a septet, opened on flute as the Early Birds more than did justice to Song for my Father. An apposite Ornithology found the band relaxing into the set, bop numbers are right up their jazz alley, the stuff of their early Saturday morning workshop sessions at Newcastle’s Lit and Phil.

Blue Bossa heard from Edis, Ryan de Silva, pianist Ben Lawrence soloing over unison horns, and, taking it home, the young man at the back, drummer Dylan Thompson. A couple from Miles Davis – Flamenco Sketches and Milestones. Alto saxophonist Alex Thompson approached the numbers with great sensitivity, James Metcalf excelled on flugelhorn, Ryan the baritone man likewise, and, the other young man in the engine room, Alex Shipsey, showed what he could do playing his shiny, new double bass.* Kenny Barron’s Fungaii Mama took us near to closing time with the frontline – Messrs Metcalf, Thompson and de Silva – firing, leaving Dylan Thompson to play a great closing solo.   

Earlier, Dr Edis observed that this Blaydon Jazz Club engagement was the first gig which featured the Early Bird Band as headliners. It won’t be the last!                       

* Watch out Mr Champion!

Paul Edis (piano)
Earlier, Paul Edis played a solo set. A mix of standards and original compositions, this was a piano masterclass. I’ve Never Been in Love Before, From Nothing to Nowhere (comp. Edis) emerged, or, indeed, was salvaged, from the bridge of a discarded, unfinished tune cast aside for a few years. A three-number delight – Bill Evans, Kurt Weill and Henri Mancini – preceded, as one Bebop Spoken Here reviewer described it, ‘Paul Edis’ greatest hit,’ the perfectly formed Vignette.

I Can’t Get Started (one of the great tunes), One Note Samba, as Edis joked ‘the one with several notes in the middle’ incorporating a light-of-touch stride section, and a dominant left hand walking bass line on Gone With the Wind, the Blaydon Jazz Club could have listened all night but the Early Birds were about to fly.  
Russell             

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance