Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, September 19, 2017

CD Review: Claudia Morris - Here's to Life

Claudia Morris (vocals); Liam Dunachie (piano/keys); Conor Chaplin (bass); David Ingamells (drums); Al Cherry (guitar); Alex Garnett (sax); George Hogg (trumpet/flugel); Laura Stanford, Penny Ainscow, David Lopez (violins 1,2,3); Daisy Spires (viola); Jessica Cox (cello); Claire Finley (backing vocals).
(Review by Lance)
I first encountered Claudia Morris back in 2011 on her album  Twelve O'Clock Tales. I was hooked.
Two years later, Ann Alex was equally impressed with Secret Love - Claudia's Doris Day celebration.
Now, the ball's back in my court with her latest - Here's to Life.
The standard hasn't dipped - far from it! The voice has mellowed, the theatrical approach has lessened without any loss of emotion and there is warmth exuding by the thermload.
Here's to Life: a philosophical look at hopes and dreams helped by some superb string writing and sympathetic guitar accompaniment. (Here's to Life is also due for release as a single on the same day as the CD release - October 6.) 
Fly me to the Moon: Soft and seductive. A gentle bossa with Hogg's flugel adding to the ambience.
Let There be Love: Hogg takes it up after Claudia's sung/spoken verse and her fairly straight reading. Straightness goes out the window when she returns - must have been the chilli con carne or the sparkling champagne but she sizzles!
You Make Me Feel Like a Natural Woman: Carole King nailed this one. Well, she would, wouldn't she? She wrote it! Nevertheless, this version doesn't lose face.
Stardust: The verse, now obligatory with Hoagy's hottest, and the melody are both given the pure treatment which is no less than this immortal song deserves.
It's Too Late: Another King classic uplifted by some paintstripping by Hogg and Garnett. Claudia edges this one.
You've Changed: One of the all-time GASbook classics both lyric and melody-wise. Garnett blows tenor - he knows these changes well. The tension doesn't drop when Claudia picks it up on the bridge, rather it keeps building until, the end of the affair in sight, she gently brings it down. Everyone who's ever been in a failed relationship can relate to this one.
For Once in my Life: A natural pick-me-up following the previous song. Our girl is back on her feet and Al Cherry's guitar solo helps to spread the love.
To Make You Feel my Love: Bob Dylan was guilty of this one. Different slant with sop sax well featured.
Bewitched: Has anyone ever made a bad version of this? I doubt it! The tune, the lyric are terrific and so sensuous. However, this time, as in most versions, we only get half the story - read the full lyric as sung by Ella and you feminists out there will be pleased to discover that being Bewitched, Bothered and Bewildered isn't terminal!
What Are You Doing the Rest of Your Life?: The greatest musical chat-up line of all time! Claudia interprets Michel Legrand's piece perfectly with some fine piano to gild it.
The Nearness of You: Is there a better version? Voice and piano make their bid and succeed.  The perfect ending to an enjoyable album.
Lance
Afterthoughts.
Claudia isn't an out and out jazz singer but she can certainly help them out when they're busy and on this disc she does just that. It's the sort of voice you want to cuddle up to on a cold winter's night (or a balmy summer evening come to that!)
The arrangements are great and the solos superb.

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